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Subtilitas und Melodicità : französische und italienische Satztechniken in der Handscrift Pz |
Christian Berger |
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Music for Louis of Anjou |
Alice V. Clark |
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Rappresentazioni musicali nell'iconografia medievale padovana |
Francesco Facchin |
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Una fuente desatendida con repertorio sacro mensural de fines del medioevo : el cantoral del Convento de la Concepción de Palma de Mallorca |
Maricarmen Gómez |
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From descriptive to prescriptive notation in early trecento music |
Jehoash Hirshberg |
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Negotiating form and content in fifteenth-century music : a view through some mass pairs by Binchois |
Andrew Kirkman |
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Ars Nova-Fragmente in Würzburg |
Irmgard Lerch-Kalavrytinos |
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The cuckoo and the nightingale : patterns of mimesis and imitation in French songs of the late Middle Ages |
Virginia Newes |
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Music, devotion, and civic life in early quattrocento Orvieto : a paired Gloria-Credo for the Cathedral of Santa Maria della Stella |
Lucia Marchi |
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Grafting the rose : Machaut, the Ars subtilior, and the Cyprus balades |
Elizabeth Eva Leach |
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Et pour la joie que j'avoie ce rondelet fis : the emotional use of song in Chaucer's Book of the duchess |
Anne-Marie Treacy |
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Subtilitas und Melodicità : französische und italienische Satztechniken in der Handscrift Pz |
Christian Berger |
|
Music for Louis of Anjou |
Alice V. Clark |
|
Rappresentazioni musicali nell'iconografia medievale padovana |
Francesco Facchin |
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