1.

Music score
Music score
1. Cupid and death   full score
Matthew Locke & Christopher Gibbons ; edited by Edward J. Dent
Published: London : Published for the Royal Musical Association [by] Stainer and Bell, 1951
Series: Musica Britannica : a national collection of music ; 2
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2.

Music score
Music score
2. Comus   full score
Arne, Milton, Dalton ; edited by Julian Herbage
Published: London : Published for the Royal Musical Association [by] Stainer and Bell, 1951
Series: Musica Britannica : a national collection of music ; 3
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Overture
Act 1. Song, now phoebus sinketh in the west
Song, by dimpl'd brook
Duet, from tyrant laws and customs free
Song, by the gayly circling glass
Dance
Song, sweet eccho
Song, fly swiftly, ye minutes
Chorus, away, away
Act 2. Song, Fame's an eccho
Song, would you taste the noontide air?
Trio, live and love, enjoy the fair
Act 3. Song, come, come, bid adieu to fear
Recit, how gentle was by Damon's air
Ballad, on ev'ry hill in ev'ry grove
Recit, love, the greatest bliss below
Ballad, the wanton god
Recit, from the realms of peace above
Song, nor on beds of fanding flow'rs
Song, preach me not your musty rules
Song, ye fawns, and ye dryads
Song, Saburina fair
Song, by the rushy-fringed bank
Recit, gentle swain, and song, thrice upon thy finger's tip
Chorus, taught by virtue
Overture
Act 1. Song, now phoebus sinketh in the west
Song, by dimpl'd brook
3.

Music score
Music score
3. Mediæval carols. 2nd, rev. ed   full score
edited by John Stevens
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1958
Series: Musica Britannica : a national collection of music ; 4
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4.

Music score
Music score
4. Keyboard music   other printed music
Thomas Tomkins ; edited by Stephen D. Tuttle
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1955
Series: Musica Britannica : a national collection of music ; 5
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Prelude
Piece of a prelude : July 9, 1647
Clarifica me pater : September 1650
In nomine : January 20-28, 1647 : version I
In nomine : January 20, 1647 - August 2, 1650 : version II
In nomine : May 1648
In nomine : June 16, 1648
In nomine : October 27, 1648
In nomine : Febrary 1650 : version I
In nomine : Febrary 14, 1650 : version II
In nomine : June 28, 1652
Miserere : September 15, 1648
Miserere : October 7, 1648
Miserere : May 26, 1651
Miserere : Febrary 3-4, 1652
Miserere
Offertory : 1637
Fancy : November 9, 1646
Fancy : July 8, 1647
Voluntary : August 10 - September 10, 1647
Fancy : October 24, 1648
A verse of three parts : August 12, 1650
A short verse
Voluntary
Fancy
A substantial verse maintaining the point
Fancy : for two to play
Fancy : for viols
Ut, re, mi, fa, sol, la : for a beginner
Ut, re, mi, fa, sol, la
Ut, mi, re
Ground
Pavan : Earl Stafford : september 29, 1647 : short version
Galliard : Earl stafford : short version
Pavan : Earl Stafford : October 2, 1647 : long version
Galliard : Earl stafford : long version
Pavan : April 1650
Galliard : October 1, 1650
Pavan : September 4, 1654
Galliard : September 7, 1654
Pavan of three parts
Galliard of three parts
Pavan : Sseptember 10, 1647
Pavan : September 14, 1647
A sad pavan : for these distracted times : Fabruary 14, 1649
Pavan : August 20, 1650
Short pavan : July 19, 1654
Pavan
Pavan : Lord Canterbury : 1647
The hunting galliard
The Lady Folliott's galliard
Galliard (by Gibbons?)
Fortune my foe : July 4, 1654
Barafostus' dream
Robin Hood (Anon: by Morley?)
What if a day (Campion, set by Tomkins)
Worcester brawls
The perpetual round : September 7-8, 1654
Toy : made at Poole Court
[On a plainsong]
Toy : Mr. Curch
Ut, re, mi, fa, sol, la (fragment)
Ut, re, mi, fa, sol, la : June 30, 1654 (fragment?)
Go from by window (fragment)
Bitts or morcells (fragments)
Prelude
Piece of a prelude : July 9, 1647
Clarifica me pater : September 1650
5.

Music score
Music score
5. Ayres for four voices   full score
John Dowland ; transcribed by Edmund H. Fellowes ; edited by Thurston Dart and Nigel Fortune
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1953
Series: Musica Britannica : a national collection of music ; 6
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From The first book of songs (1597, 1600, 1603, 1606, 1613). Unquiet thoughts
Whoever thinks of hopes of love Fulke Greville
My thoughts are wing'd with hopes
If my complaints
Can she excuse
Now, oh now I needs must part
Dear, if you change
Burst forth, my tears
Go, crystal tears
Think'st thou then by thy feigning
Come away, come, sweet love
Rest awhile, you cruel cares
Sleep, wayward thoughts
All ye whom love or fortune
Wilt thou, unkind, thus reave me
Would my conceit
Come again
His golden locks
Awake, sweet love
Come, heavy sleep
Away with these self-loving lads Fulke Greville
from The second book of songs (1600). Praise blindness, eyes
O sweet woods refrain by Phillip Sidney
If floods of tears
Fine knacks for ladies
Now cease, my wand'ring eyes
Come, ye heavy states of night
White as lilies
Woeful heart
A shepherd in a shade
Faction that ever dwells Fulke Greville
Shall I sue
Toss not my soul
Clear or cloudy
Humour, say : a dialogue
From The third book of songs (1603). Me, me and none but me
When Phoebus first
Say, love
Flow not so fast
What if I never speed
Love stood amaz'd
Lend your ears
By a fountain
Oh what hath overwrought
Farewell, unkind
Weep you no more
Fie on this feigning
I must complain Thomas Campion
It was a time Robert, Earl of Essex?
The lowest trees have tops Edward Dyer?
What poor astronomers
Come when I call : dialogue
From a Pilgrim's solace (1612). Disdain me still William, Earl of Pembroke?
Sweet, stay awhile
To ask for all thy love
Love, those beams that breed
Shall I strive with words to move
Were every thought an eye
Stay, time, awhile thy flying
Tell me, true love
In this trembling shadow cast
If that sinner's sighs
Thou mightly God
Where sin sore wounding
My heart and tongue were twins
From The first book of songs (1597, 1600, 1603, 1606, 1613). Unquiet thoughts
Whoever thinks of hopes of love Fulke Greville
My thoughts are wing'd with hopes
6.

Music score
Music score
6. Complete works   full score
John Dunstable ; edited by Manfred F. Bukofzer
Published: London : Published for the Royal Musical Association & the American Musicological Society, Stainer and Bell, 1953
Series: Musica Britannica : a national collection of music ; 8
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The ordinary of the mass. Kyrie
Gloria
Credo
Sanctus
Gloria : with trope Spiritus et alme
Gloria : four voices
Credo : four voices
Sanctus : on a plainsong
Agnus Dei : on a plainsong
Gloria super Fesu Christe Fili Dei
Credo super Fesu Christe Fili Dei
Credo super Da geudiorum premia
Sanctus super Da geidoprum premia
Gloria : Missa Rex eculorum
Credo : Missa Rex eculorum
Sanctus : Missa Rex eculorum
Agnus Dei : Missa Rex eculorum
Isorhythmic motetx. Albanus roseo rutilat
Ave Regina celorum, ave decus
Christe sanctorum decus
Dies degnus decorari
Gaude felix Anna
Gaude Virgo salutata : four voices
Preco preheminencie : four voices
Salve scema sanctitatis : four voices
Specialis Virgo
Veni Sancte Spiritus : Veni Creator Spiritus : four voices
Veni Sancte Spiritus
Textless motet [nesciens mater virgo]
Polyphonic settings of plainsongs for the office. Ave maris stella : Hymn
Magnificat secundi toni : Canticle
Ave Regina celorum : Marian Antiphon
Regina celi letare : Marian Antiphon
Crux fidelis : processional Antiphon
Motets for various liturgical occasions. Alma redemptoris mater
Beata dei genitrix
Beata mater
Gloria sanctorum decus
Quam pulcra es
Salve Regina mater mire
Salve regina misericordie : with trope Virgo mater
Sancta Dei Genitrix
Sancta Maria, non est tibi similis
Sancta Maria succure miseris
Speciosa facta es
Sub tuarm protectionem
Sub tuarm protectionem first arrangement for keyboard
Sub tuarm protectionem second arrangement for keyboard
Gaude Virgo Katherina
O crux gloriosa
Secular works. O rosa bella : with an optional contratenor and three additional voices by John Bedingham
O rosa bella : first arrangement for organ
O rosa bella : second arrangement for organ
Puisque m'amour : Rondeau
Puisque m'amour : arrangement for organ
Puisque m'amour : four two-part arrangements
Compositions of doubtful authorship. Gloria : Missa sine nomine [John Benet?]
Credo : Missa sine nomine [John Benet?]
Sanctus : Missa sine nomine [John Benet?]
Agnus Dei : Missa sine nomine [John Benet?]
Alma redemptoris mater [Leonel Power?]
Ascindit Christus : Alma redemptoris [Forest?]
Salve mater salvatoris [Leonel Power?]
Salve Regina mater misericordie : with trope Virgo mater [Leonel Power?]
Durer ne puis : Rondeau [John Bedingham?]
Incomplete compositions. Kyrie : one voice
Isorhymic tenor : without text
Ipsum regem : tenor fregment from Nesciens mater
Plainsongs. Isorhythmic tenors in original notation
The ordinary of the mass. Kyrie
Gloria
Credo
7.

Music score
Music score
7. Piano concertos   full score
John Field ; edited by Frank Merrick
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1961
Series: Musica Britannica : a national collection of music ; 17
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Table of Contents:
Concerto no. 1 in E flat
Concerto no. 2 in A flat
Concerto no. 3 in E flat
Concerto no. 1 in E flat
Concerto no. 2 in A flat
Concerto no. 3 in E flat
8.

Music score
Music score
8. Music at the court of Henry VIII   full score
transcribed and edited by John Stevens
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1962
Series: Musica Britannica : a national collection of music ; 18
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Benedictus [Isaac]
Fortune esperee [after Busnois]
Alles regretz [van Ghizeghem]
En frolyk weson [Barbireau]
La my [Isaac]
Fa la sol [Cornish]
Pastime with good company Henry VIII
Pastime with good company [Henry VIII]
Adieu mes amours Cornish
Adieu madame et ma maistresse Henry VIII
Time to pass with goodly sport
Helas madame Henry VIII
Consort I
Alas, what shall I do Henry VIII
Hey now now Kempe
Alone I live alone Cooper
O my heart Henry VIII
Adieu, adieu, my heartes lust Cornish
Above all thing now let us sing Farthing
Downberry down Daggere
Downberry down [Daggere]
Hey now now Farthing
In May, that lusty season Farthing
Puzzle-canon I (Tris) Lloyd
Whoso that will himself apply Rysbye
The time of youth Henry VIII
The thoughts within my breast Farthing
My love she mourneth Cornish
Puzzle-canon II (Iste tenor) Lloyd
Ah th sighs Cornish
Ah th sighs [Cornish]
With sorrowful sighs Farthing
If I had wit for to endite
Alack alack what shall I do Henry VIII
Hey nonny nonny
Puzzle-canon III (A dorio tenor) Dunstable
Green groweth the holly Henry VIII
Whoso that will all feats Henry VIII
Blow thy horn, hunter Cornish
Blow thy horn, hunter [Cornish]
De tous bien plane [van Ghizeghem]
Jay pryse amours
Adieu, corage, adieu Cornish
Trolly lolly Cornish
I love truly Farthing
You and I and amyes Cornish
Ough warder mount
La season [Compère]
If love now reigned (I) Henry VIII
Gentil prince de renom Henry VIII
Sy fortune
Whereto should I express Henry VIII
If love now reigned (II) Henry VIII
Ah Robin, gentle Robin Cornish
Whiles life or breath Cornish
Though that men do call Henry VIII
Consort II Henry VIII
Puzzle-canon IV (Paramese tenor) Fayrfax
Puzzle-canon IV A (Mese tenor) Fayrfax
Consort III Henry VIII
Consort IV Henry VIII
Departure is my chief pain Henry VIII
It is to me a right great joy Henry VIII
Consort V Henry VIII
Consort VI Farthing
Consort VII Cornish
Consort VIII Henry VIII
I have been a foster Cooper
Farewell my joy Cooper
Without discord Henry VIII
I am a jolly foster
Though some saith [Henry VIII]
Madame d'amours
Adieu adieu le company
Consort IX
Consort X
Consort XI
Consort XII Henry VIII
Consort XIII Henry VIII
Deem the best of every doubt Lloyd
Hey trolly lolly
Consort XIV Henry VIII
Consort XV Henry VIII
Taunder naken Henry VIII
Whoso that will for grace sue Henry VIII
Consort XVI Henry VIII
En vray amoure Henry VIII
Let not us that young men be
Dulcis amica [Prioris]
Consort XVII
[Amys souffrez] [Isaac]
Consort XVIII
Puzzle-canon V (3 in 1)
Puzzle-canon VI (2 in 1)
Consort XIX
Consort XX
Consort XXI
Lusty youth should us ensue Henry VIII
Now
Consort XXII Henry VIII
Belle sur tautes: tota pulchra [Agricola]
England, be glad
Pray we to God
Consort XXIII Henry VIII
Fors solemant [Févin, after Ockeghem]
Consort XXIV
And I were a maiden
Why shall not I?
What remedy, what remedy?
Where be ye, my love?
Quid petis, o fili Pygott
My thought oppressed
Somewhat musing [Fayrfax]
I love unloved
Hey trolly lolly lo
Benedictus [Isaac]
Fortune esperee [after Busnois]
Alles regretz [van Ghizeghem]
9.

Music score
Music score
9. Keyboard music   other printed music
Orlando Gibbons ; transcribed and edited by Gerald Hendrie
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1962
Series: Musica Britannica : a national collection of music ; 20
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Prelude (Tone 3)
Prelude (Tone 8)
[Short] Prelude (Tone 1)
[Short] Prelude (Tone 3)
Fantasia (Tone 1)
Fantasia for double organ (Tone 1)
Fantasia (Tone 2 transposed)
Fantasia (Tone 2)
Fantasia (Tone 3)
Fantasia (Tone 5)
Pavan (Tone 1)
Pavan (Tone 2)
Pavan (Tone 3)
Pavan: Lord Salisbury (Tone 3)
Galliard: Lord Salisbury (Tone 3)
Galliard: Lady Hatton (Tone 1)
Galliard (Tone 1)
Galliard (Tone 3)
Galliard (Tone 5)
Ground (Tone 3)
The Italian ground (Tone 5)
The queen's command (Tone 5)
The woods so wild (Tone 6/8)
Peascod time or the hunt's up (Tone 8)
Whoop, do me no harm good man (Tone 8)
French air (Tone 1/6)
Alman (Tone 1)
Alman (Tone 3)
Alman (Tone 5)
Alman: The king's jewel (Tone 8)
Alman (Tone 8)
French coranto (Tone 1)
Coranto (Tone 1) (two versions)
Coranto (Tone 3)
Nann's mask or French alman (Tone 1)
Mask: Welcome home (Tone 1)
Mask: The fairest nymph (Tone 3)
Lincoln's inn mask (Tone 5)
The temple mask (Tone 5)
Plainsong fantasia (Tone 3)
Sarabrand (Tone 5)
Air (Tone 1)
Coranto (Tone 1)
Coranto (Tone 6)
Plainsong fantasia (Tone 8)
Fantasia (Tone 8)
Prelude (Tone 3)
Prelude (Tone 8)
[Short] Prelude (Tone 1)
10.

Music score
Music score
10. Collected anthems   full score
Thomas Weelkes ; transcribed and edited by David Brown, Water Collins and Peter Le Huray
Published: London : Published for the Royal Musical Association, Stainer and Bell, 1966
Series: Musica Britannica : a national collection of music ; 23
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Alleluia, I heard a voice
All people clap your hands
Deliver us, O Lord
Gloria in excelsis Deo
Hosanna to the son of David
Laboravi in gemitu meo
Lord, to thee I make my moan
O happy he whom thou protect'st
O how amiable are thy dwellings
O Jonatan, woe is me for thee
O Lord, arise
O Lord, God almighty
O Lord, grant the king a long life
O mortal man
Rejoice in the Lord
When David heard
All laud and praise
Give ear, O Lord
Give the king thy judgements
If king manasses
In thee, O Lord (Psalm 31)
O Lord, how joyful is the king
Plead thou my cause
What joy so true
Most mighty and all-knowing Lord
Alleluia, I heard a voice
All people clap your hands
Deliver us, O Lord