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The cries of the country (Coutnry cries) (c. 1605) for five voices (SSATB) with five instruments |
Richard Dering ; edited by Hans T. David |
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The cries (cry) of London (1599) for five voices (SSATB) with five instruments |
anonymous ; edited by Hans T. David |
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Madrigals and ayres (1632) for five voices (SSATB in various combinations) "with toccatos, sinfonias and rittornellos ... to be performed with the harpesechord, lutes, theorbos base violl, two violins, or two viols" |
Walter Porter |
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Motetts of two voyces (1657), for soprano (or alto or tenor) and bass with "Continued bass ... to be performed to an organ, harpspycon, lute or bass-viol" |
Walter Porter |
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From Thesaurus musicus (1621), Motett for six voices (SSATTB), Puer natus est nobis |
Johannes Schultz |
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From Musikalischer Lüstgarte (1622) |
Johannes Schultz. Madrigals for four voices (SATB), Bulschaft schadt neut -- Tantz for four voices (SATB), einmals eimegdlein -- Madrigals for three voices (SATB), Mein Herz nach Gottes willen -- Cantzon in two parts |
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Eight Sterbegesänge (Songs of death) from Rüdolf Meyer's Totdendantz (1650) for four voices (SATB) and continuo |
Andreas Schwilge ; edited by Sydney Beck |
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The cries of the country (Coutnry cries) (c. 1605) for five voices (SSATB) with five instruments |
Richard Dering ; edited by Hans T. David |
|
The cries (cry) of London (1599) for five voices (SSATB) with five instruments |
anonymous ; edited by Hans T. David |
|
Madrigals and ayres (1632) for five voices (SSATB in various combinations) "with toccatos, sinfonias and rittornellos ... to be performed with the harpesechord, lutes, theorbos base violl, two violins, or two viols" |
Walter Porter |
Music score
