1.

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1. The responsories on the 11th century Aquitanian Antiphonal Toledo, Bibl. Cap. 44. 2.
Ronald T. Olexy
Published: Ann Arbor, Mich. : University Microfilms International, c1980
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2.

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2. Studies on the office antiphons of the Old Roman manuscripts (V. 1 ; V. 2)
Edward Charles Nowacki
Published: Ann Arbor, Mich. : University Microfilms International, c1980
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3. An analysis of the melodic chracteristics of Gregorian chant antiphons
Miriam Joseph Reinhard
Published: Ann Arbor, Mich. : University Microfilms International, c1971
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4. The solo cantatas, motets, and antiphons of Johann Adolf Hasse (with) appendix C: musical works (V. 1 ; V. 2)
Sven Hostrup Hansell
Published: Ann Arbor, Mich. : University Microfilms International, c1967
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Appendix C: Orgoglioso fiumicello : "L'inciampo" : cantata for soprano solo
Dalle tenebre orrende : "Orfeo ed Euridice" : cantata for two sopranos
Cadro, ma i Filistei : "Sansone" : cantata for bass solo
Clori, ah Clori t'affretta : "L'Aurora" : cantata for soprano solo
Ah perche col canto mio : "L'armonica" : cantata for soprano solo and glass harmonica
Inter undas agitatus : motet for soprano solo
Salve Regina in G major for soprano solo
Appendix C: Orgoglioso fiumicello : "L'inciampo" : cantata for soprano solo
Dalle tenebre orrende : "Orfeo ed Euridice" : cantata for two sopranos
Cadro, ma i Filistei : "Sansone" : cantata for bass solo
5.

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5. Two offices for St. Elizabeth of Hungary : Gaudeat Hungaria and Letare Germania : introduction and edition
by Barbara Haggh
Published: Ottawa, Canada : Institute of Mediaeval Music, c1995
Series: Wissenschaftliche Abhandlungen = Musicological studies ; Bd. 65/1
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