| 1.
|
Sound recordings
|
Handel, George Frideric, 1685-1759 ; Gluck, Christoph Willibald, Ritter von, 1714-1787 ; Mozart, Wolfgang Amadeus, 1756-1791 ; Bellini, Vincenzo, 1801-1835 ; Tchaikovsky, Peter Ilich, 1840-1893 ; Bizet, Georges, 1838-1875 ; Saint-Saëns, Camille, 1835-1921 ; Massenet, Jules, 1842-1912 ; Wagner, Richard, 1813-1883 ; Fassbaender, Brigitte ; Terzakis, Zachos ; Süddeutscher Rundfunk. Sinfonie-Orchester ; Graf, Hans, 1949-
| Published: |
München : Orfeo , [Japan] : 日本フォノグラム [distributor], c1985 |
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"Non è si vage e bello" : Arie des Caesar aus "Giulio Cesare" |
Georg Friedrich Händel |
|
"Che faro senza Euridice" : Arie des Orpheus aus "Orfeo ed Euridice" |
Christoph Willibald Gluck |
|
"Deh, per questo istante solo" : Arie (Rondo) des Sextus aus "La Clemenza di Tito" |
W.A. Mozart |
|
"Lieto del dolce incarco-Ascolta! Se Romeo t'uccise un figlio" : Szene des Romeo aus "I Capuleti e i Montecchi" |
Vincenzo Bellini |
|
"Lebt wohl, ihr Berge" : Rezitativ und Arie der Johanna aus "Die Jungfrau von Orleans" |
Peter I. Tschaikowsky |
|
"Près des remparts de Seville" : Seguidilla der Carmen aus "Carmen" |
Georges Bizet |
|
"Printemps qui commence" : Arie der Dalila aus "Samson et Dalila" |
Camille Saint-Saëns |
|
"Va! Laisse couler mes larmes" : Arie der Charlotte aus "Werther" |
Jules Massenet |
|
"Höre mit Sinn, was ich dir sage!" : Szene der Waltraute aus "Götterdämmerung" |
Richard Wagner |
|
"Non è si vage e bello" : Arie des Caesar aus "Giulio Cesare" |
Georg Friedrich Händel |
|
"Che faro senza Euridice" : Arie des Orpheus aus "Orfeo ed Euridice" |
Christoph Willibald Gluck |
|
"Deh, per questo istante solo" : Arie (Rondo) des Sextus aus "La Clemenza di Tito" |
W.A. Mozart |
|
| 2.
|
Music score
|
Caccini, Giulio, ca. 1545-1618 ; Verdi, Giuseppe, 1813-1901 ; Saint-Saëns, Camille, 1835-1921 ; Gounod, Charles, 1818-1893 ; Tosti, F. Paolo (Francesco Paolo), 1846-1916 ; Carmelo, Errico ; Schubert, Franz, 1797-1828 ; Mascagni, Pietro, 1863-1945 ; Mazzoni, P. ; Cherubini, Luigi, 1760-1842 ; Mercadante, Saverio, 1795-1870 ; Arcadelt, Jacob, ca. 1505-1568 ; Mozart, Wolfgang Amadeus, 1756-1791 ; 伊藤, 多津子(1915-)
| Published: |
東京 : ショパン, 1999 |
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|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Charles Gounod ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Francesco Paolo Tosti ; text Carmelo Errico ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Franz Schubert |
|
Ave Maria |
comp. Pietro Mascagni ; text P. Mazzoni ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Luigi Cherubini |
|
Salve, Maria |
comp. Saverio Mercadante |
|
Ave Maria |
comp. Jacob Arcadelt ; arr. Tatsuko Itoh |
|
Ave Verum Corpus |
comp. W. A. Mozart |
|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
| 3.
|
Sound recordings
|
Butt, Clara, Dame, 1872-1936 ; Hatton, John Liptrot, 1808-1886 ; Ronald, Landon, Sir, 1873-1938 ; Liddle, Samuel, 1867-1951 ; Elgar, Edward, 1857-1934 ; Hawley ; Woodforde-Finden, Amy, 1860-1919 ; Mendelssohn-Bartholdy, Felix, 1809-1847 ; Sullivan, Arthur, Sir, 1842-1900 ; Nevin, Ethelbert Woodbridge, 1862-1901 ; Bishop, Henry R. (Henry Rowley), Sir, 1786-1855 ; Rasbach, Oscar, 1888-1975 ; Foster, Stephen Collins, 1826-1864 ; Molloy, James L., 1837-1909 ; Handel, George Frideric, 1685-1759 ; Broadwood, Lucy Etheldred, d. 1929 ; Saint-Saëns, Camille, 1835-1921 ; Arne, Thomas Augustine, 1710-1778
| Published: |
[S.l.] : Flapper , Wadhurst, E. Sussex : Pavilion Records [distributor], p1993 |
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|
The enchantress |
Hatton |
|
O lovely night |
Ronald |
|
Abide with me |
Liddle |
|
Land of hope and glory |
Elgar |
|
The dream of Gerontius. Softly and gently |
Elgar |
|
The sweetest flower |
Hawley |
|
Indian love lyrics. Kashmiri song |
Woodforde-Finden |
|
Elijah. O rest in the Lord |
Mendelssohn |
|
The lost chord |
[words by] Proctor ; Sullivan |
|
Annie Laurie : Scot. folk song |
|
|
The rosary |
Nevin |
|
Home, sweet home |
[words by] Payne ; Bishop |
|
Barbara Allen : trad |
|
|
Trees |
[words by] Kilmer ; Rasbach |
|
Shenandoah : trad. Irish |
|
|
The minstrel boy : trad. Irish |
|
|
Swanee River |
Foster |
|
Love's old sweet song |
Molloy |
|
"Handel's Largo" = Serse. Ombra mai fu |
[Handel] |
|
The keys of Heaven |
Broadwood |
|
Samson. Softly awakes my heart |
Saint-Saëns |
|
Rule Britannia |
Arne |
|
The enchantress |
Hatton |
|
O lovely night |
Ronald |
|
Abide with me |
Liddle |
|
| 4.
|
Sound recordings
|
Supervía, Conchita, 1895-1936 ; Rossini, Gioacchino, 1792-1868 ; Gounod, Charles, 1818-1893 ; Thomas, Ambroise, 1811-1896 ; Saint-Saëns, Camille, 1835-1921 ; Delibes, Léo, 1836-1891 ; Falla, Manuel de, 1876-1946 ; Baldomir Rodríguez, José ; Serrano, José, 1873-1941 ; Yradier, Sebastián, 1809-1865 ; Valverde y Sanjuán, Joaquín, 1875-1918 ; Bizet, Georges, 1838-1875 ; Vavon, Andrée ; Bernadet, Andrée ; Manuritta, Giovanni ; Micheletti, Gaston ; Scattola, Carlo, 1878?-1947 ; Marshall, Frank, 1883-1959
| Published: |
Monmouth : Nimbus Records, p1992 |
| Series: |
Prima voce |
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Disc 1. L'italiana in Algeri. Ai capricci della sorte ... Donna Isabella |
Rossini |
|
Il barbiere di Siviglia. Una voce poco fa ... Io sono docile |
Rossini |
|
Contro un cor ... Cara immagine ridente : (lesson scene) |
Rossini |
|
La cenerentola. Nacqui all' affanno ... Non più mesta |
Rossini |
|
Faust. Il était un roi de Thulé |
Gounod |
|
Mignon. Connais-tu le pays? |
Thomas |
|
Samson et Dalila. Printemps qui commence |
Saint-Saëns |
|
Bonjour, Suzon |
Delibes |
|
Églogue : (Viens, une flûte invisible) |
Delibes |
|
Canciones populares Españolas |
trad. ; arr. Falla |
|
Meus Amores : (ballada gallega) |
Baldomir |
|
La alegría del batallón. A una gitana preciosa : (Dolores' Gypsy song) |
Serrano |
|
El mal de amores. Canción de la gitanita |
Serrano |
|
La paloma |
de Yradier |
|
Clavelitos |
Joaquín Valverde |
|
Disc 2. Carmen. L'amour est un oiseau rebelle : (Habañera) |
Bizet |
|
Près des remparts de Séville : (Séguedille) |
Bizet |
|
Les tringles des sistres tintaient : (Chanson bohème) |
Bizet |
|
Attends un peu, Carmen |
Bizet |
|
La fleur que tu m'avais jetée |
Bizet |
|
Non, tu ne m'aimes pas |
Bizet |
|
Mêlons! mêlons! coupons! coupons! ... En vain pour éviter : (card scene) |
Bizet |
|
C'est toi! c'est moi ... Mais moi, Carmen, je t'aime encore |
Bizet |
|
Disc 1. L'italiana in Algeri. Ai capricci della sorte ... Donna Isabella |
Rossini |
|
Il barbiere di Siviglia. Una voce poco fa ... Io sono docile |
Rossini |
|
Contro un cor ... Cara immagine ridente : (lesson scene) |
Rossini |
|
| 5.
|
Sound recordings
|
Leoncavallo, Ruggiero, 1858-1919 ; Bishop, Henry R. (Henry Rowley), Sir, 1786-1855 ; Purcell, Henry, 1659-1695 ; Mendelssohn-Bartholdy, Felix, 1809-1847 ; Marshall, Charles, 1857-1927 ; Elgar, Edward, 1857-1934 ; Strauss, Johann, 1825-1899 ; Rachmaninoff, Sergei, 1873-1943 ; Koenemann ; Kreisler, Fritz, 1875-1962 ; Moss, Katie, 1881-1947 ; Bach, Johann Sebastian, 1685-1750 ; Handel, George Frideric, 1685-1759 ; Saint-Saëns, Camille, 1835-1921 ; Bizet, Georges, 1838-1875 ; Chopin, Frédéric, 1810-1849 ; Lehár, Franz, 1870-1948 ; Kern, Jerome, 1885-1945 ; Sullivan, Arthur, Sir, 1842-1900
| Published: |
London : ASV, c1993 |
| Series: |
Living era |
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Pagliacci. Vesti la giubba = On with the motley |
Leoncavallo |
|
Lo! Here the gentle lark |
[words by] Shakespeare ; Bishop |
|
Nymphs and shepherds |
Purcell |
|
Mattinata |
Leoncavallo |
|
Hear my prayer |
Mendelssohn |
|
O for the wings of a dove |
Mendelssohn |
|
I hear you calling me |
[words by] Lake (alias "Harold Hartford") ; Marshall |
|
Salut d'amour |
Elgar |
|
Casanova. Nuns' chorus |
J. Strauss ; arr. Benatzky ; German words: Schanzer-Welisch |
|
Prelude in C-sharp minor, op. 3, no. 2 |
Rachmaninov |
|
Song of the Volga boatmen |
Koenemann |
|
Liebesfreud = Love's joy |
Kreisler |
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The floral dance |
Moss |
|
Jesu, joy of man's desiring : chorale from Cantata no. 147 |
Bach ; arr. Hess |
|
Messiah. Come unto him all ye that labour |
Handel |
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Samson and Delilah. Softly awakes my heart |
Saint-Saëns |
|
Fair Maid of Perth. She is there, my Catherine ... Hear the voice of one (Serenade) |
Bizet |
|
Waltz in C sharp minor, op. 64, no. 2 |
Chopin |
|
Land of smiles. You are my heart's delight |
Lehár |
|
Showboat. Ol' man river |
Kern |
|
The lost chord |
Sullivan |
|
Pagliacci. Vesti la giubba = On with the motley |
Leoncavallo |
|
Lo! Here the gentle lark |
[words by] Shakespeare ; Bishop |
|
Nymphs and shepherds |
Purcell |
|
| 6.
|
Sound recordings
|
Humperdinck, Engelbert, 1854-1921 ; Kreisler, Fritz, 1875-1962 ; Rossini, Gioacchino, 1792-1868 ; Paderewski, Ignace Jan, 1860-1941 ; Verdi, Giuseppe, 1813-1901 ; Norton, Frederic, 1869-1946 ; Saint-Saëns, Camille, 1835-1921 ; Rimsky-Korsakov, Nikolay, 1844-1908 ; Handel, George Frideric, 1685-1759 ; Mozart, Wolfgang Amadeus, 1756-1791 ; Dvořák, Antonín, 1841-1904 ; Bizet, Georges, 1838-1875 ; Ponce, Manuel M. (Manuel María), 1882-1948 ; Beethoven, Ludwig van, 1770-1827 ; Massenet, Jules, 1842-1912 ; Delius, Frederick, 1862-1934 ; Grechaninov, Aleksandr Tikhonovich, 1864-1956
| Published: |
London : ASV, c1994 |
| Series: |
Living era |
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|
Hänsel und Gretel. Dance duet |
Humperdinck |
|
Schön Rosmarin : (Fair Rosemary) |
Kreisler |
|
Il barbiere di Siviglia. Largo al factotum |
Rossini |
|
Una voce poco fa |
Rossini |
|
Minuet in G (op. 14, no. 1) |
Paderewski |
|
La Traviata. Libiamo ne' lieti calici (drinking song) |
Verdi |
|
Chu Chin Chow. The cobbler's song |
Norton |
|
Le Cygne : (The swan) |
Saint-Saëns |
|
Sadko. Chanson hindoue : (Song of the Indian guest) |
Rimsky-Korsakov |
|
Serse. Fronde tenere e belle ... Ombra mai fu (Largo) |
Handel |
|
Turkish march |
Mozart |
|
Songs my mother taught me |
Dvořák |
|
Carmen. Votre toast je peux vous le rendre : (Toreador's song) |
Bizet |
|
Estrellita |
Ponce ; arr. Heifetz |
|
Die Meistersinger von Nürnberg. Morgenlich leuchtend im rosigen schein (Walther's prize song) |
Wagner |
|
The Proud Valley. Deep river |
trad. ; arr. Irving |
|
Für Elise |
Beethoven |
|
Manon. As I close my eyes (Dream song) |
Massenet |
|
Koanga. La Calinda |
Delius ; arr. Fenby |
|
I believe : (The creed) |
Grechaninov |
|
Hänsel und Gretel. Dance duet |
Humperdinck |
|
Schön Rosmarin : (Fair Rosemary) |
Kreisler |
|
Il barbiere di Siviglia. Largo al factotum |
Rossini |
|
| 7.
|
Music score
|
compiled and edited by Robert L. Larsen
| Published: |
New York : G. Schirmer , Milwaukee, Wis. : Distributed by H. Leonard, c1991 |
| Series: |
G. Schirmer opera anthology |
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When I am laid in earth : from Dido and Aeneas |
Henry Purcell |
|
Che farò senza Euridice? : from Orfeo ed Euridice |
Christoph Willibald von Gluck |
|
Non so più cosa son : from Le nozze di Figaro |
Wolfgang Amadeus Mozart |
|
Voi, che sapete : from Le nozze di Figaro |
Wolfgang Amadeus Mozart |
|
Smanie implacabili : from Così fan tutte |
Wolfgang Amadeus Mozart |
|
Cruda sorte!-- Già so per pratica : from L'Italiana in Algeri |
Giachino [i.e. Gioachino] Rossini |
|
Una voce poco fa : from Il barbiere di Siviglia |
Gioachino Rossini |
|
Non più mesta : from La cenerentola |
Gioachino Rossini |
|
Il segreto per esser felici : from Lucrezia Borgia |
Gaetano Donizetti |
|
Nobles seigneurs, salut! : from Les Huguenots |
Giacomo Meyerbeer |
|
O mio Fernando! : from La favorita |
Gaetano Donizetti |
|
Stride la vampa! : from Il trovatore |
Giuseppe Verdi |
|
Faites-lui mes aveux : from Faust |
Charles Gounod |
|
Que fais-tu, blanche tourterelle : from Roméo et Juliette |
Charles Gounod |
|
Chacun à son goût : from Die Fledermaus |
Johann Strauss |
|
L'amour est un oiseau rebelle (Habañera) : from Carmen |
Georges Bizet |
|
Près des remparts de Séville (Seguidilla) : from Carmen |
Georges Bizet |
|
En vain, pour éviter : from Carmen |
Georges Bizet |
|
Voce di donna : from La Gioconda |
Amilcare Ponchielli |
|
Printemps qui commence : from Samson et Dalila |
Camille Saint-Saëns |
|
Amour! viens aider ma faiblesse! : from Samson et Dalila |
Camille Saint-Saëns |
|
Mon cœur s'ouvre à ta voix : from Samson et Dalila |
Camille Saint-Saëns |
|
Voi lo sapete : from Cavalleria rusticana |
Pietro Mascagni |
|
Va! laisse couler mes larmes : from Werther |
Jules Massenet |
|
Acerba voluttà : from Adriana Lecouvreur |
Francesco Cilea |
|
We cannot retrace our steps : from The mother of us all |
Virgil Thomson |
|
Lullaby : from The consul |
Gian Carlo Menotti |
|
Ah, Michele, don't you know : from The Saint of Bleecker Street |
Gian Carlo Menotti |
|
Augusta! How can you turn away? : from The ballad of baby Doe |
Douglas Moore |
|
Must the winter come so soon? : from Vanessa |
Samuel Barber |
|
When I am laid in earth : from Dido and Aeneas |
Henry Purcell |
|
Che farò senza Euridice? : from Orfeo ed Euridice |
Christoph Willibald von Gluck |
|
Non so più cosa son : from Le nozze di Figaro |
Wolfgang Amadeus Mozart |
|
| 8.
|
Music score
|
compiled by Irving Brown
| Published: |
New York : G. Schirmer, c1977- |
| Series: |
Schirmer's singer's library |
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v. 1. Un Ballo in Maschera. Re dell' abisso, affrettati (invocation aria) |
Giuseppe Verdi |
|
Il Varbiere di siviglia. Una voce poco fa (cavatina) |
Gioacchino Rossini |
|
Boris Godunov. Marina's aria |
Modest Mussorgsky |
|
Carmen. L'amour est un oiseau rebelle (habanera) |
Georges Bizet |
|
Carmen. Près des remparts de Séville (seguidilla) |
Georges Bizet |
|
Carmen. En vain pour évitar (card scene) |
Georges Bizet |
|
La cenerentola. Non più mesta (cavatina) |
Gioacchino Rossini |
|
La cenerentola. Non più mesta (cavatina). |
Gioacchino Rossini |
|
Faust. Faites-lui mes aveux (aria) |
Charles Gounod |
|
La Favorita. O mio Fernando (recitative and cavatina) |
Gaetano Donizetti |
|
La Gioconda. Voce di donna (the blind girl's song) |
Amilcare Ponchielli |
|
La Gioconda. Voce di donna (the blind girl's song). |
Amilcare Ponchielli |
|
Die Gòtterdämmerung. Höre mit sinn (waltraute's narrative) |
Richard Wagner |
|
Jeanne D'arc. Adieu, forêts (recitative and aria) |
Peter Ilyitch Tchaikovsky |
|
Lohengrin. Entweihte Götter! (Ortrud's Curse) |
Richard Wagner |
|
Lohengrin. Entweihte Götter! (Ortrud's Curse). |
Richard Wagner |
|
Mignon. Me voici dans son boudoir (gavotte) |
Ambroise Thomas |
|
Samson et dalila. Printermps qui commence (aria) |
Camille Saint-Saëns |
|
Samson et dalila. Amour, viens aider (recitative and aria) |
Camille Saint-Saëns |
|
Samson et dalila. Mon coeur s'ouvre à ta voix (aria) |
Camille Saint-Saëns |
|
v. 2. La clemenza di titio. Parto, parto (aria) |
Wolfgang Amadeus Mozart |
|
La clemenza di titio. Non più di fiori (recitative and aria) |
Wolfgang Amadeus Mozart |
|
Dido and aeneas. When I am laid in earth (dido's lament) |
Henry Purcell |
|
Dido and aeneas. When I am laid in earth (dido's lament). |
Henry Purcell |
|
Die fledermaus. Chacun à son goǔt (prince orlogsky's song) |
Johann Straus |
|
Le nozze di figaro. Non so più casa son (aira) |
Wolfganf Amadeus Mozart |
|
Le nozze di figaro. Voi, che sapete (arietta) |
Wolfganf Amadeus Mozart |
|
Orfeo. Che farò senza Euridice (recitative and aria) |
Christoph Willibald von Gluck |
|
Pique dame. Pauline's aria |
Peter Ilyitch Tchaikovsky |
|
Le prophète. Ah! mon fils! (arioso) |
Giacomo Meyerber |
|
Le prophète. Donnez, donnez (romance) |
Giacomo Meyerber |
|
Rienzi. Gerechter Gott (recitative and aria) |
Richard Wagner |
|
Rinaldo. Cara sposa, amante cara (aria) |
George Frideric Handel |
|
Roméo et Juliette. Que fais-tu, blanche tourterelle (chanson) |
Charles Gounod |
|
Semiramide. In sì barbara (aria) |
Gioacchino Rossini |
|
Serse. Ombra mai fu (recitative and aria) |
George Frideric Handel |
|
Il trovatore. Stride la vampa (aria) |
Giuseppe Verdi |
|
Il trovatore. Condotta el'era in ceppi |
Giuseppe Verdi |
|
Die Walküre. Wo in Bergen du dich birgst (fricka's scene) |
Richard Wagner |
|
Werther. Va!laisse couler mes larmes |
Jules Massenet |
|
v. 1. Un Ballo in Maschera. Re dell' abisso, affrettati (invocation aria) |
Giuseppe Verdi |
|
Il Varbiere di siviglia. Una voce poco fa (cavatina) |
Gioacchino Rossini |
|
Boris Godunov. Marina's aria |
Modest Mussorgsky |
|
| 9.
|
Sound recordings
|
Obrazt︠s︡ova, Elena ; Philharmonia Orchestra (London, England) ; Patanè, Giuseppe, 1932-1989 ; Stapleton, Robin, 1947- ; Luys, Jaime ; Pogson, Geoffrey ; Cilèa, Francesco, 1866-1950 ; Mascagni, Pietro, 1863-1945 ; Verdi, Giuseppe, 1813-1901 ; Saint-Saëns, Camille, 1835-1921 ; Bizet, Georges, 1838-1875
| Published: |
Japan : EMI, [199-?] |
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|
Acerba voluttá |
Cilea |
|
Voi lo sapete, O mamma |
Mascagni |
|
Stride la vampa |
Verdi |
|
Condotta ell'era in ceppi |
Verdi |
|
O don tatale |
Verdi |
|
Printemps qui commence |
Saint-Saëns |
|
Mon coeur s'ouvre à ta voix |
Saint-Saëns |
|
Samson, recherchant ma présence |
Saint-Saëns |
|
Habanera |
Bizet |
|
Seguidilla |
Bizet |
|
Acerba voluttá |
Cilea |
|
Voi lo sapete, O mamma |
Mascagni |
|
Stride la vampa |
Verdi |
|
| 10.
|
Video recordings
|
Domingo, Plácido, 1941- ; Senn, Marta ; 東京交響楽団 ; Kohn, Eugene ; Giordano, Umberto, 1867-1948 ; Verdi, Giuseppe, 1813-1901 ; Mozart, Wolfgang Amadeus, 1756-1791 ; Leoncavallo, Ruggiero, 1858-1919 ; Saint-Saëns, Camille, 1835-1921 ; Puccini, Giacomo, 1858-1924 ; Sorozábal, Pablo, 1897- ; Pennella ; Lara, Agustín, 1900-1970 ; Soutullo, Reveriano, 1884-1932
| Published: |
Japan : NEC Avenue, p1989 |
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|
Side 1: Amor ti vieta "Fedora" |
Giordano |
|
Interview (1), rehearsal |
|
|
Interview (2) |
|
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Ah, la paterna mano, "Macbeth" |
Verdi |
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Parto, parto, ma tu ben mio, "La clemenza di Tito" |
W.A. Mozart |
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Vesti la giubba, "I Pagliacci" |
Leoncavallo |
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Interview (3) |
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Mal reggendo, "Il Trovatore" |
Verdi |
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Side 2: Act II duet Mon cœur s'ouvre à ta voix, "Samson et Dalila" |
Saint-Saëns |
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Interview (4), open lecture at Tokyo National Univercity of Fine Arts & Music |
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E lucevan le stelle, "Tosca" |
Puccini |
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No puede ser, "La tabernera del puerto" |
Sorozabal |
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Interview (5) |
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Dúo de Solea y Rafael, "El gato motes" |
Pennella |
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Granada |
Lala |
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Bella Enamorada, "El ultimo romantico" |
Soutullo y Vert |
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Side 1: Amor ti vieta "Fedora" |
Giordano |
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Interview (1), rehearsal |
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Interview (2) |
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