| 1.
|
Music score
|
Caccini, Giulio, ca. 1545-1618 ; Verdi, Giuseppe, 1813-1901 ; Saint-Saëns, Camille, 1835-1921 ; Gounod, Charles, 1818-1893 ; Tosti, F. Paolo (Francesco Paolo), 1846-1916 ; Carmelo, Errico ; Schubert, Franz, 1797-1828 ; Mascagni, Pietro, 1863-1945 ; Mazzoni, P. ; Cherubini, Luigi, 1760-1842 ; Mercadante, Saverio, 1795-1870 ; Arcadelt, Jacob, ca. 1505-1568 ; Mozart, Wolfgang Amadeus, 1756-1791 ; 伊藤, 多津子(1915-)
| Published: |
東京 : ショパン, 2003 |
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|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Charles Gounod ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Francesco Paolo Tosti ; text Carmelo Errico ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Franz Schubert |
|
Ave Maria |
comp. Pietro Mascagni ; text P. Mazzoni ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Luigi Cherubini |
|
Salve, Maria |
comp. Saverio Mercadante |
|
Ave Maria |
comp. Jacob Arcadelt ; arr. Tatsuko Itoh |
|
Ave Verum Corpus |
comp. W. A. Mozart |
|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
| 2.
|
Video recordings
|
Puccini, Giacomo, 1858-1924 ; Bellini, Vincenzo, 1801-1835 ; Cilèa, Francesco, 1866-1950 ; Donizetti, Gaetano, 1797-1848 ; Moreno Torroba, Federico, 1891- ; Penella Moreno, Manuel, 1880-1939 ; Rossini, Gioacchino, 1792-1868 ; Strauss, Richard, 1864-1949 ; Mercury, Freddie, 1946-1991 ; Vangelis ; Verdi, Giuseppe, 1813-1901 ; Giménez, Gerónimo, 1854-1923 ; Massenet, Jules, 1842-1912 ; Saint-Saëns, Camille, 1835-1921 ; Caballé, Montserrat ; Farré, Antonio
| Published: |
東京 : TDK, c2006 |
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The meaning of music. Turandot, excerpt from act II scene (Turandot) = 音楽とは何か. 《トゥーランドット》、第2幕より |
Giacomo Puccini |
|
Il pirata, excerpt from "Col sorriso d'innocenza" = 《海賊》、<無邪気な微笑みもて>より |
Vincenzo Bellini |
|
Musical education. Adriana Lecouvreur, excerpt from "Poveri fiori" = 修業時代. 《アドリアーナ・ルクヴルール》、<哀れな花よ>より |
Francesco Cilea |
|
International success. Roberto Devereux, excerpt from "Vivi ingrato" = 世界での成功. 《ロベルト・デヴリュー》<生きてほしい私を裏切ったものよ>より |
Gaetano Donizetti |
|
Magic duets. Adriana Lecouvreur, excerpt from act II = 素晴らしい共演の数々. 《アドリアーナ・ルクヴルール》、第2幕より |
Francesco Cilea |
|
Jota navarra = 《ホタ・ナバーラ》より |
Federico Moreno Torroba |
|
El gato montés = 《山猫》より |
Manuel Penella |
|
Semiramide, excerpt from "Ebben, a te ferisci!" = 《セミラーミデ》、<ではその手で切り付けなさい>より |
Gioachino Rossini |
|
Maria Callas/Freddie Mercury. Tosca, excerpt from "Vissi d'arte" = マリア・カラス、フレディ・マーキュリーとの思い出. 《トスカ》<歌に生き愛に生き>より |
Giacomo Puccini |
|
Salomé, excerpt from the final scene = 《サロメ》、最終場より |
Richard Strauss |
|
Barcelona = 《バルセロナ》より |
Freddie Mercury |
|
The golden boy = 《ザ・ゴールデン・ボーイ》より |
Freddie Mercury |
|
Casta diva. March with me = 清らかな女神よ. 《マーチ・ウィズ・ミー》より |
Vangelis |
|
Luisa Fernanda, "A la sombra de una sombrilla" = 《ルイサ・フェルナンダ》、<日傘の影に>より |
Federico Moreno Torroba |
|
Requiem, excerpts from rehearsals = 《レクイエム》のリハーサル風景 |
Giuseppe Verdi |
|
Il viaggio e Reims, excerpts from act I = 《ランスへの旅》、第1幕より |
Gioachino Rossini |
|
La tempranica "La tarántula é un bicho mu malo (Zapateado)" = 《テンプラニカ》<タランチュラは悪い虫だ(サパテアード)より> |
Jerónimo Giménez |
|
Norma, "Casta Diva" = 《ノルマ》、第1幕<清らかな女神よ>より |
Vincenzo Bellini |
|
La viérge, "L'extase de la vierge" = 《聖処女》、<聖処女の法悦>より |
Jules Massenet |
|
A singer and her family. La priére du monde = 歌手とその家族. 《世界の祈り》より |
Vangelis |
|
Principles. Henri VIII, excerpts = 《ヘンリー8世》より |
Camille Saint-Saëns |
|
Anna Bolena, excerpt from "Al dolce quidami" = 《アンナ・ボレーナ》、<私の生まれたあのお城に>より |
Gaetano Donizetti |
|
The meaning of music. Turandot, excerpt from act II scene (Turandot) = 音楽とは何か. 《トゥーランドット》、第2幕より |
Giacomo Puccini |
|
Il pirata, excerpt from "Col sorriso d'innocenza" = 《海賊》、<無邪気な微笑みもて>より |
Vincenzo Bellini |
|
Musical education. Adriana Lecouvreur, excerpt from "Poveri fiori" = 修業時代. 《アドリアーナ・ルクヴルール》、<哀れな花よ>より |
Francesco Cilea |
|
| 3.
|
Sound recordings
|
Handel, George Frideric, 1685-1759 ; Gluck, Christoph Willibald, Ritter von, 1714-1787 ; Mozart, Wolfgang Amadeus, 1756-1791 ; Bellini, Vincenzo, 1801-1835 ; Tchaikovsky, Peter Ilich, 1840-1893 ; Bizet, Georges, 1838-1875 ; Saint-Saëns, Camille, 1835-1921 ; Massenet, Jules, 1842-1912 ; Wagner, Richard, 1813-1883 ; Fassbaender, Brigitte ; Terzakis, Zachos ; Süddeutscher Rundfunk. Sinfonie-Orchester ; Graf, Hans, 1949-
| Published: |
München : Orfeo , [Japan] : 日本フォノグラム [distributor], c1985 |
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|
"Non è si vage e bello" : Arie des Caesar aus "Giulio Cesare" |
Georg Friedrich Händel |
|
"Che faro senza Euridice" : Arie des Orpheus aus "Orfeo ed Euridice" |
Christoph Willibald Gluck |
|
"Deh, per questo istante solo" : Arie (Rondo) des Sextus aus "La Clemenza di Tito" |
W.A. Mozart |
|
"Lieto del dolce incarco-Ascolta! Se Romeo t'uccise un figlio" : Szene des Romeo aus "I Capuleti e i Montecchi" |
Vincenzo Bellini |
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"Lebt wohl, ihr Berge" : Rezitativ und Arie der Johanna aus "Die Jungfrau von Orleans" |
Peter I. Tschaikowsky |
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"Près des remparts de Seville" : Seguidilla der Carmen aus "Carmen" |
Georges Bizet |
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"Printemps qui commence" : Arie der Dalila aus "Samson et Dalila" |
Camille Saint-Saëns |
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"Va! Laisse couler mes larmes" : Arie der Charlotte aus "Werther" |
Jules Massenet |
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"Höre mit Sinn, was ich dir sage!" : Szene der Waltraute aus "Götterdämmerung" |
Richard Wagner |
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"Non è si vage e bello" : Arie des Caesar aus "Giulio Cesare" |
Georg Friedrich Händel |
|
"Che faro senza Euridice" : Arie des Orpheus aus "Orfeo ed Euridice" |
Christoph Willibald Gluck |
|
"Deh, per questo istante solo" : Arie (Rondo) des Sextus aus "La Clemenza di Tito" |
W.A. Mozart |
|
| 4.
|
Music score
|
Caccini, Giulio, ca. 1545-1618 ; Verdi, Giuseppe, 1813-1901 ; Saint-Saëns, Camille, 1835-1921 ; Gounod, Charles, 1818-1893 ; Tosti, F. Paolo (Francesco Paolo), 1846-1916 ; Carmelo, Errico ; Schubert, Franz, 1797-1828 ; Mascagni, Pietro, 1863-1945 ; Mazzoni, P. ; Cherubini, Luigi, 1760-1842 ; Mercadante, Saverio, 1795-1870 ; Arcadelt, Jacob, ca. 1505-1568 ; Mozart, Wolfgang Amadeus, 1756-1791 ; 伊藤, 多津子(1915-)
| Published: |
東京 : ショパン, 1999 |
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|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Charles Gounod ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Francesco Paolo Tosti ; text Carmelo Errico ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Franz Schubert |
|
Ave Maria |
comp. Pietro Mascagni ; text P. Mazzoni ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Luigi Cherubini |
|
Salve, Maria |
comp. Saverio Mercadante |
|
Ave Maria |
comp. Jacob Arcadelt ; arr. Tatsuko Itoh |
|
Ave Verum Corpus |
comp. W. A. Mozart |
|
Ave Maria |
comp. Giulio Caccini ; arr. Tatsuko Itoh |
|
Ave Maria |
comp. Giuseppe Verdi |
|
Ave Maria |
comp. Saint=Saëns ; arr. Tatsuko Itoh |
|
| 5.
|
Music score
|
[編者, 音楽之友社]
| Published: |
東京 : 音楽之友社, 2003 |
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さらばローマよ : オペラ「ポッペアの戴冠」第3幕から = A dio Roma |
C. Monteverdi |
|
わたしが大地に帰るとき : オペラ「ディドとエネアス」第3幕から = When I am laid in Earth |
H. Purcell |
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エウリディーチェを失って : オペラ「オルフェオとエウリディーチェ」第3幕から = Che farò senza Euridice |
C.W. Gluck |
|
ラルゴ(なつかしい木陰) : オペラ「セルセ(クセルクセス)」第1幕から = Ombra mai fu |
G.F. Händel |
|
恋とはどんなものかしら : オペラ「フィガロの結婚」第2幕から = Voi, che sapete |
W.A. Mozart |
|
自分で自分がわからない : オペラ「フィガロの結婚」第1幕から = Non sò più cosa son |
W.A. Mozart |
|
ああ,わが子よ : オペラ「予言者」第2幕から = Ah! mon fils! |
G. Meyerbeer |
|
今の歌声は : オペラ「セビリャの理髪師」第1幕から = Una voce poco fà |
G. Rossini |
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悲しみと涙のうちに生まれて : オペラ「シンデレラ」第2幕から = Nacqui all'affanno e al pianto |
|
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いとしいフェルナンドよ : オペラ「ファヴォリータ」第3幕から = O mio Fernando |
G. Donizetti |
|
君よ知るや南の国 : オペラ「ミニョン」第1幕から = Connais-tu le pays? |
A. Thomas |
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炎は燃えて : オペラ「トロヴァトーレ」第2幕から = Stride la vampa! |
G. Verdi |
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重い鎖につながれて : オペラ「トロヴァトーレ」第2幕から = Condotta ell'era in ceppi |
G. Verdi |
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地獄の王よ : オペラ「仮面舞踏会」第1幕から = Re dell'abisso, affrettati |
G. Verdi |
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むごい運命よ : オペラ「ドン・カルロ」第4幕から = O don fatale |
G. Verdi |
|
花の歌 : オペラ「ファウスト」第3幕から = Faites-lui mes aveux |
C. Gounod |
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やさしいあの声 : オペラ「ジョコンダ」第1幕から = Voce di donna |
A. Ponchielli |
|
あなたの声に心は開く : オペラ「サムソンとデリラ」第2幕から = Mon cœur s'ouvre à ta voix |
C. Saint-Saëns |
|
ハバネラ(恋は野の鳥) : オペラ「カルメン」第1幕から = Habanera |
G. Bizet |
|
セギディーリャ : オペラ「カルメン」第1幕から = Séguedille |
G. Bizet |
|
ジプシーの歌 : オペラ「カルメン」第2幕から = Chanson bohème |
G. Bizet |
|
カルタの歌 : オペラ「カルメン」第3幕から = Air des cartes |
G. Bizet |
|
よいつぼがこわれた : オペラ「ヘンゼルとグレーテル」第1幕から = Da liegt nun der gute Topf in Scherben! |
E. Humperdinck |
|
ママも知るとおり : オペラ「カヴァレリア・ルスティカーナ」から = Voi lo sapete, o mamma |
P. Mascagni |
|
さらばローマよ : オペラ「ポッペアの戴冠」第3幕から = A dio Roma |
C. Monteverdi |
|
わたしが大地に帰るとき : オペラ「ディドとエネアス」第3幕から = When I am laid in Earth |
H. Purcell |
|
エウリディーチェを失って : オペラ「オルフェオとエウリディーチェ」第3幕から = Che farò senza Euridice |
C.W. Gluck |
|
| 6.
|
Sound recordings
|
鈴木, 慶江 ; Bach, Johann Sebastian, 1685-1750 ; Gounod, Charles, 1818-1893 ; Chopin, Frédéric, 1810-1849 ; Grieg, Edvard, 1843-1907 ; Liszt, Franz, 1811-1886 ; Saint-Saëns, Camille, 1835-1921 ; Orff, Carl, 1895- ; Dvořák, Antonín, 1841-1904 ; Mascagni, Pietro, 1863-1945 ; 朝川, 朋之 ; 三宅, 一徳
| Published: |
Japan : EMI Classics, p2003 |
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|
アヴェ・マリア = Ave Maria |
J. S. バッハ ; グノー, [編曲] |
|
別れの曲 = La tristezza (Chanson de l'adieu) |
ショパン |
|
ソルヴェーグの歌 = Solveig's song |
グリーク |
|
愛の夢 = Dream of love |
リスト |
|
白鳥 = Le cygne |
サン=サーンス |
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君を愛す = Ich liebe dich |
グリーグ |
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G線上のアリア = Air on G strings |
J. S. バッハ |
|
天秤棒に心をかけて : 「カルミナ・ブラーナ」より = In trutina : from "Carmina Burana" |
オルフ |
|
わが母の教え給いし歌 = Songs my mother taught me |
ドヴォルザーク |
|
アヴェ・マリア : 「カヴァレリア・ルスティカーナ」より = Ave Maria : from "Cavallerina Rusticana" |
マスカーニ |
|
アヴェ・マリア = Ave Maria |
J. S. バッハ ; グノー, [編曲] |
|
別れの曲 = La tristezza (Chanson de l'adieu) |
ショパン |
|
ソルヴェーグの歌 = Solveig's song |
グリーク |
|
| 7.
|
Sound recordings
|
Leoncavallo, Ruggiero, 1858-1919 ; Bishop, Henry R. (Henry Rowley), Sir, 1786-1855 ; Purcell, Henry, 1659-1695 ; Mendelssohn-Bartholdy, Felix, 1809-1847 ; Marshall, Charles, 1857-1927 ; Elgar, Edward, 1857-1934 ; Strauss, Johann, 1825-1899 ; Rachmaninoff, Sergei, 1873-1943 ; Koenemann ; Kreisler, Fritz, 1875-1962 ; Moss, Katie, 1881-1947 ; Bach, Johann Sebastian, 1685-1750 ; Handel, George Frideric, 1685-1759 ; Saint-Saëns, Camille, 1835-1921 ; Bizet, Georges, 1838-1875 ; Chopin, Frédéric, 1810-1849 ; Lehár, Franz, 1870-1948 ; Kern, Jerome, 1885-1945 ; Sullivan, Arthur, Sir, 1842-1900
| Published: |
London : ASV, c1993 |
| Series: |
Living era |
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Pagliacci. Vesti la giubba = On with the motley |
Leoncavallo |
|
Lo! Here the gentle lark |
[words by] Shakespeare ; Bishop |
|
Nymphs and shepherds |
Purcell |
|
Mattinata |
Leoncavallo |
|
Hear my prayer |
Mendelssohn |
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O for the wings of a dove |
Mendelssohn |
|
I hear you calling me |
[words by] Lake (alias "Harold Hartford") ; Marshall |
|
Salut d'amour |
Elgar |
|
Casanova. Nuns' chorus |
J. Strauss ; arr. Benatzky ; German words: Schanzer-Welisch |
|
Prelude in C-sharp minor, op. 3, no. 2 |
Rachmaninov |
|
Song of the Volga boatmen |
Koenemann |
|
Liebesfreud = Love's joy |
Kreisler |
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The floral dance |
Moss |
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Jesu, joy of man's desiring : chorale from Cantata no. 147 |
Bach ; arr. Hess |
|
Messiah. Come unto him all ye that labour |
Handel |
|
Samson and Delilah. Softly awakes my heart |
Saint-Saëns |
|
Fair Maid of Perth. She is there, my Catherine ... Hear the voice of one (Serenade) |
Bizet |
|
Waltz in C sharp minor, op. 64, no. 2 |
Chopin |
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Land of smiles. You are my heart's delight |
Lehár |
|
Showboat. Ol' man river |
Kern |
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The lost chord |
Sullivan |
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Pagliacci. Vesti la giubba = On with the motley |
Leoncavallo |
|
Lo! Here the gentle lark |
[words by] Shakespeare ; Bishop |
|
Nymphs and shepherds |
Purcell |
|
| 8.
|
Sound recordings
|
Humperdinck, Engelbert, 1854-1921 ; Kreisler, Fritz, 1875-1962 ; Rossini, Gioacchino, 1792-1868 ; Paderewski, Ignace Jan, 1860-1941 ; Verdi, Giuseppe, 1813-1901 ; Norton, Frederic, 1869-1946 ; Saint-Saëns, Camille, 1835-1921 ; Rimsky-Korsakov, Nikolay, 1844-1908 ; Handel, George Frideric, 1685-1759 ; Mozart, Wolfgang Amadeus, 1756-1791 ; Dvořák, Antonín, 1841-1904 ; Bizet, Georges, 1838-1875 ; Ponce, Manuel M. (Manuel María), 1882-1948 ; Beethoven, Ludwig van, 1770-1827 ; Massenet, Jules, 1842-1912 ; Delius, Frederick, 1862-1934 ; Grechaninov, Aleksandr Tikhonovich, 1864-1956
| Published: |
London : ASV, c1994 |
| Series: |
Living era |
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|
Hänsel und Gretel. Dance duet |
Humperdinck |
|
Schön Rosmarin : (Fair Rosemary) |
Kreisler |
|
Il barbiere di Siviglia. Largo al factotum |
Rossini |
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Una voce poco fa |
Rossini |
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Minuet in G (op. 14, no. 1) |
Paderewski |
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La Traviata. Libiamo ne' lieti calici (drinking song) |
Verdi |
|
Chu Chin Chow. The cobbler's song |
Norton |
|
Le Cygne : (The swan) |
Saint-Saëns |
|
Sadko. Chanson hindoue : (Song of the Indian guest) |
Rimsky-Korsakov |
|
Serse. Fronde tenere e belle ... Ombra mai fu (Largo) |
Handel |
|
Turkish march |
Mozart |
|
Songs my mother taught me |
Dvořák |
|
Carmen. Votre toast je peux vous le rendre : (Toreador's song) |
Bizet |
|
Estrellita |
Ponce ; arr. Heifetz |
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Die Meistersinger von Nürnberg. Morgenlich leuchtend im rosigen schein (Walther's prize song) |
Wagner |
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The Proud Valley. Deep river |
trad. ; arr. Irving |
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Für Elise |
Beethoven |
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Manon. As I close my eyes (Dream song) |
Massenet |
|
Koanga. La Calinda |
Delius ; arr. Fenby |
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I believe : (The creed) |
Grechaninov |
|
Hänsel und Gretel. Dance duet |
Humperdinck |
|
Schön Rosmarin : (Fair Rosemary) |
Kreisler |
|
Il barbiere di Siviglia. Largo al factotum |
Rossini |
|
| 9.
|
Music score
|
herausgegeben von Peter Anton Ling ; unter Mitarbeit von Marina Sandel
| Published: |
Wiesbaden : Breitkopf & Härtel, c2020 |
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Orfeo ed Euridice. Ahimè! dove trascorsi? -- Che farò senza Euridice |
Christoph Willibald Gluck |
|
Mitridate. Va, l'error mio palesa |
Wolfgang Amadeus Mozart |
|
Mitridate. Ah giacché son tradito -- Son reo |
Wolfgang Amadeus Mozart |
|
Ascanio in Alba. Perché tacer degg'io? -- Cara, lontano ancora |
Wolfgang Amadeus Mozart |
|
La prophète. Ah! mon fils |
Giacomo Meyerbeer |
|
Semiramide. Ah! quel giorno ognor rammento |
Gioachino Rossini |
|
Semiramide. In sì barbara sciagura |
Gioachino Rossini |
|
L'italiana in Algeri. Cruda sorte! |
Gioachino Rossini |
|
La donna del lago. Mura felici -- Oh quante lagrime |
Gioachino Rossini |
|
Die lustigen Weiber von Windsor. Ballade vom Jäger Herne |
Otto Nicolai |
|
Das Rheingold. Weiche, Wotan, weiche! |
Richard Wagner |
|
Götterdämmerung. Höre mit Sinn |
Richard Wagner |
|
Un ballo in maschera. Re dell'abisso affrettati |
Giuseppe Verdi |
|
La Gioconda. Voce di donna |
Amilcare Ponchielli |
|
Samson et Dalila. Samson, recherchant ma présence |
Camille Saint Saëns |
|
Samson et Dalila. Mon cœur s'ouvre à ta voix |
Camille Saint Saëns |
|
Chovanščina. Gadan'e |
Modest Mussorgskij |
|
Evgenij Onegin. Ach, Tanja, Tanja! |
Pjotr Iljitsch Tschaikowsky |
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Der Evangelimann. Johannes schläft |
Wilhelm Kienzl |
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Pelléas et Mélisande. Voici ce qu'il écrit à son frère Pelléas |
Claude Debussy |
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Daphne. Daphne! Wir warten dein |
Richard Strauss |
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The rake's progress. As I was saying |
Igor Strawinsky |
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Bernarda Albas Haus. Was für ein Lärm |
Aribert Reimann |
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Orfeo ed Euridice. Ahimè! dove trascorsi? -- Che farò senza Euridice |
Christoph Willibald Gluck |
|
Mitridate. Va, l'error mio palesa |
Wolfgang Amadeus Mozart |
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Mitridate. Ah giacché son tradito -- Son reo |
Wolfgang Amadeus Mozart |
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| 10.
|
Music score
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edited by Ilaria Narici
| Published: |
Milano : Ricordi, c2020 |
| Holding items in this series: |
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Table of Contents:
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I Capuleti e i Montecchi. Se Romeo t'uccise un figlio |
Vincenzo Bellini |
|
Carmen. L'amour est un oiseau rebelle : (habanera) |
Georges Bizet |
|
Près des remparts de Séville : (séguedille) |
Georges Bizet |
|
Voyons, que j'essaie - En vain, pour éviter : (air des cartes) |
Georges Bizet |
|
Anna Bolena. È sgombro il loco-- - Ah! Parea che per incanto |
Gaetano Donizetti |
|
La favorite. Ô mon Fernand |
Gaetano Donizetti |
|
Maria Stuarda. Deh! Tu di un'umile preghiera |
Gaetano Donizetti |
|
Di un cor che muore - Ah! Se un giorno da queste ritorte |
Gaetano Donizetti |
|
Bajazet. Sposa son disprezzata |
Geminiano Giacomelli (attr.) |
|
Orfeo ed Euridice. Che farò senza Euridice? |
Christoph Willibald Gluck |
|
Faust. Faites-lui mes aveux |
Charles Gounod |
|
Roméo et Juliette. Depuis hier - Que fais-tu, blanche tourterelle |
Charles Gounod |
|
Alcina. Sta nell'ircana pietrosa tana |
George Frideric Handel |
|
Ariodante. Dopo notte |
George Frideric Handel |
|
Giulio Cesare. Presti ormai |
George Frideric Handel |
|
L'amico Fritz. O pallida, che un giorno |
Pietro Mascagni |
|
Werther. Va! Laisse couler mes larmes |
Jules Massenet |
|
Les Huguenots. Nobles seigneurs, salut! |
Giacomo Meyerbeer |
|
L'incoronazione di Poppea. Addio, Roma |
Claudio Monteverdi |
|
La clemenza di Tito. Parto, ma tu ben mio |
Wolfgang Amadeus Mozart |
|
Così fan tutte. Ah, scostati - Smanie implacabili |
Wolfgang Amadeus Mozart |
|
Le nozze di Figaro. Non so più cosa son |
Wolfgang Amadeus Mozart |
|
Voi che sapete |
Wolfgang Amadeus Mozart |
|
Dido and Aeneas. Thy hand, Belinda - When I am laid in earth |
Henry Purcell |
|
Il barbiere di Siviglia. Una voce poco fa |
Gioachino Rossini |
|
La Cenerentola. Nacqui all'affanno e al pianto - Non più mesta |
Gioachino Rossini |
|
La donna del lago. Tanti affetti in tal momento |
Gioachino Rossini |
|
L'italiana in Algeri. Cruda sorte! |
Gioachino Rossini |
|
Maometto II. Giusto ciel, in tal periglio |
Gioachino Rossini |
|
Semiramide. Bel raggio lusinghier |
Gioachino Rossini |
|
Samson et Dalila. Printemps qui commence |
Camille Saint-Saëns |
|
Samson, recherchant - Amour! Viens aider ma faiblesse! |
Camille Saint-Saëns |
|
Mon cœur s'ouvre à ta voix |
Camille Saint-Saëns |
|
Die Fledermaus. Ich lade gern mir Gäste ein (Chacun à son gout) |
Johann Strauss |
|
Pikovaya dama. Da! Vspomnila-- Podrugi milye |
Pyotr Ilyich Tchaikovsky |
|
Un ballo in maschera. Re dell'abisso, affrettati |
Giuseppe Verdi |
|
Don Carlo. O don fatale |
Giuseppe Verdi |
|
Il trovatore. Stride la vampa! |
Giuseppe Verdi |
|
Condotta ell'era in ceppi |
Giuseppe Verdi |
|
Orlando finto pazzo. Anderò, volerò, griderò |
Antonio Vivaldi |
|
I Capuleti e i Montecchi. Se Romeo t'uccise un figlio |
Vincenzo Bellini |
|
Carmen. L'amour est un oiseau rebelle : (habanera) |
Georges Bizet |
|
Près des remparts de Séville : (séguedille) |
Georges Bizet |
|
