東京藝術大学附属図書館 OPAC

Table of Contents: Read more

Table of Contents: Read more

	The when and how of arioso in Stradella's cantatas	Carolyn Gianturco
	A lost volume of cantatas and serenatas from the "Original Stradella collection"	Colin Timms
	Narration, mimesis and the question of genre : dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14	Hendrik Schulze
	A tale of two cities : cantata publication in Bologna and Venice, c.1650-1700	Reinmar Emans
	"Al tavolino medesimo del compositor della musica" : notes on text and context in Alessandro Scarlatti's cantate da camera	Norbert Dubowy
	Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells)"	Lowell Lindgren
	The "humble" and "sublime" genres, the pastoral and heroic styles : rhetorical metamorphoses in Benedetto Marcello's cantatas	Marco Bizzarini
	Investigations into the cantata in Naples during the first half of the eighteenth century : the cantatas by Leonardo Vinci contained in a "Neapolitan" manuscript	Giulia Veneziano
	The orchestral French cantata (1706-1730) : performance, edition and classification of a neglected repertory	Graham Sadler
	Patterns and strategies of modulation in cantata recitatives	Michael Talbot
	"Imitando l'arietta, ò altro allegro, cantato di fresco" : keyboard realization in Italian continuo arias	Giulia Nuti
	The revival of the Italian chamber cantata on disc : models and trends	Giulia Nuti

	The when and how of arioso in Stradella's cantatas	Carolyn Gianturco
	A lost volume of cantatas and serenatas from the "Original Stradella collection"	Colin Timms
	Narration, mimesis and the question of genre : dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14	Hendrik Schulze