| 1.
|
Music score
|
Alfred Schnittke
| Published: |
Hamburg : Sikorski, c1995 |
| Series: |
Exempla nova ; 234 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 2.
|
Music score
|
[Enrique Granados] ; dirigida por Alicia de Larrocha ; preparación y documentación Douglas Riva
Table of Contents:
Read more
|
[v.] 1. Danza característica |
|
|
Jota de miel de la alcarria |
|
|
Parranda-Murcia |
|
|
Oriental |
|
|
Danza lenta |
|
|
Sardana |
|
|
Apéndice. Danza gitana |
reduc. piano |
|
Danza de los ojos verdes |
reduc. piano |
|
[v.] 2. 12 danzas españolas |
|
|
[v.] 1. Danza característica |
|
|
Jota de miel de la alcarria |
|
|
Parranda-Murcia |
|
|
| 3.
|
Music score
|
Hans Werner Henze
| Published: |
Mainz : Schott, c2001 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 4.
|
Music score
|
Marcel Dupré
| Published: |
Paris : A. Leduc, c1924 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 5.
|
Music score
|
Marcel Dupré
| Published: |
Paris : A. Leduc, c1924 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 6.
|
Music score
|
Marcel Dupré
| Published: |
Paris : A. Leduc, c1923 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 7.
|
Music score
|
Maurice Duruflé
| Published: |
Paris : Durand, c1929 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 8.
|
Music score
|
Béla Bartók ; für zwei Bratschen eingerichtet von Peter Bartók ; unter Mitwirkung von Paul Neubauer
| Published: |
[Wien] : Universal Edition, c1994 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 9.
|
Music score
|
Pierre Rode ; für Viola Übertragen von Ernst Hoenisch
| Published: |
Frankfurt : C.F. Peters, c1958 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 10.
|
Music score
|
クライスラー = Kreisler
| Published: |
東京 : 日本ショット, 1997-2008 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
[v. 1]. オリジナル作品. ウィーン奇想曲 = Original compositions. Caprice viennois |
|
|
ロマンティックな子守歌 = Berceuse romantique |
|
|
道化役者 = Polichinelle |
|
|
羊飼いのマドリガル = Altdeutsches Schäfer-Madrigal |
|
|
ジプシー奇想曲 = Zigeuner-Capriccio |
|
|
シンコペーション = Syncopation |
|
|
古典風作品. ルイ13世の歌とパヴァーヌ : ルイ・クープラン風 = Classical manuscripts. Chanson Louis XIII and Pavane : in the style of Louis Couperin |
|
|
プレリュードとアレグロ : ガエタノ・プニャーニ風 = Praeludium and Allegro : in the style of Gaetano Pugnani |
|
|
シチリアーノとリゴードン : フランソワ・フランクール風 = Sicilienne and Rigaudon : in the style of François Francœur |
|
|
愛の喜び : ウィーン古典舞曲集I = Liebesfreud : Alt-Wiener Tanzweisen I |
|
|
愛の悲しみ : ウィーン古典舞曲集II = Liebesleid : Alt-Wiener Tanzweisen II |
|
|
美しきロスマリン : ウィーン古典舞曲集III = Schön Rosmarin : Alt-Wiener Tanzweisen III |
|
|
編曲作品. スペイン舞曲 = Transcriptions. Danse espagnole |
エンリケ・グラナドス ; フリッツ・クライスラー編曲 |
|
タンゴ作品165第2番 = Tango opus 165 no. 2 |
イサーク・アルベニス ; フリッツ・クライスラー編曲 |
|
[v.] 2. オリジナル作品. 中国の太鼓 : 作品3 = Original compositions. Tambourin chinois : opus 3 |
|
|
ウィーン風小行進曲 = Marche miniature viennoise |
|
|
ロンディーノ(ベートーヴェンの主題による) = Rondino (on a theme of Beethoven) |
|
|
ロマンス作品4 = Romanze, Opus 4 |
|
|
オーカッサンとニコレット : 中世のカンツォネッタ = Aucassin und Nicolette : Canzonette aus dem Mittelalter |
|
|
プロヴァンスの朝の歌 : ルイ・クープラン風 = Aubade provencale : in the style of Louis Couperin |
|
|
編曲作品 = Transcriptions. アラビアの歌 : 『シェヘラザード』より = Arabian song : from "Scheherazade" |
ニコライ・リムスキー=コルサコフ ; フリッツ・クライスラー編曲 |
|
インドの歌 : 『サトコ』より = Hindoo song : from "Sadko" |
ニコライ・リムスキー=コルサコフ ; フリッツ・クライスラー編曲 |
|
ロンドンデリーの歌 : アイルランド民謡 = Londonderry air : old Irish song |
フリッツ・クライスラー編曲 |
|
魔女たちの踊り : 作品8 = Le streghe : opus 8 |
ニコロ・パガニーニ ; フリッツ・クライスラー編曲 |
|
無窮動作品11 = Moto perpetuo, opus 11 |
ニコロ・パガニーニ ; フリッツ・クライスラー編曲 |
|
楽興の時 : 作品94-3 = Moment musical : opus 94-3 |
フランツ・シューベルト ; フリッツ・クライスラー編曲 |
|
無言歌 : 作品62-1 = Lied ohne Worte : Opus 62-1 |
フェリックス・メンデルスゾーン・バルトルディ ; フリッツ・クライスラー編曲 |
|
マズルカ作品33-2 = Mazurka opus 33-2 |
フレデリック・ショパン ; フリッツ・クライスラー編曲 |
|
[v.] 3. ハンガリー舞曲第17番 = Ungarischer Tanz Nr. 17 |
ヨハネス・ブラームス |
|
インディアン・ラメント : ヴァイオリンとピアノのためのソナチネより = Indianisches Lamento : from Sonatina for violin and piano |
アントニン・ドヴォルザーク |
|
スラヴ幻想曲 : 「わが母の教え給いし歌」「ロマンティックな小品」より = Slawische Fantasie : from "Als die alte Mutter" & "Romantische Stücke" |
アントニン・ドヴォルザーク |
|
スラヴ舞曲第1番作品 46-2, 72-1 = Slavonic dance theme no. 1 from opus 46-2, & 72-1 |
アントニン・ドヴォルザーク |
|
スラヴ舞曲第2番作品 72-2 = Slavonic dance theme no. 2 from opus 72-2 |
アントニン・ドヴォルザーク |
|
スラヴ舞曲第3番作品 72-8 = Slavonic dance theme no. 3 from opus 72-8 |
アントニン・ドヴォルザーク |
|
ラルゴ : 交響曲第9番「新世界より」第2楽章より = Largo : form "Symphony no. 9 "From the new world" |
アントニン・ドヴォルザーク |
|
わが母の教え給いし歌 : 作品 55-4 = Als die alte Mutter : Opus 55-4 |
アントニン・ドヴォルザーク |
|
ユモレスク作品 101-7 = Humoreske, Opus 101-7 |
アントニン・ドヴォルザーク |
|
メヌエット作品 14-4 = Menuett, Opus 14-1 |
イグナツィ・ヤン・パデレフスキ |
|
メロディー作品 16-2 = Melodie, Opus 16-2 |
イグナツィ・ヤン・パデレフスキ |
|
[v. 1]. オリジナル作品. ウィーン奇想曲 = Original compositions. Caprice viennois |
|
|
ロマンティックな子守歌 = Berceuse romantique |
|
|
道化役者 = Polichinelle |
|
|
| 11.
|
Music score
|
José Angel Montero ; edición y transcripción, Aída Lagos
| Published: |
Caracas, Venezuela : Consejo Nacional de la Cultura : Fundación Vicente Emilio Sojo, 1997 |
| Series: |
Músicos venezolanos del siglo XIX |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Las Caraqueñas : cuadrilla |
|
|
Es mi gusto : suite |
|
|
Piezas de baile : suite |
|
|
Repertorio de baile para piano : suite |
|
|
Los nuevos lanceros : suite |
|
|
Polkas |
|
|
Mazurkas |
|
|
Dengues |
|
|
Danzas |
|
|
Valses |
|
|
Las Caraqueñas : cuadrilla |
|
|
Es mi gusto : suite |
|
|
Piezas de baile : suite |
|
|
| 12.
|
Music score
|
| Published: |
Caracas, Venezuela : Consejo Nacional de la Cultura : Fundación Vicente Emilio Sojo, [19--]- |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 13.
|
Music score
|
Redescal Uzcátegui ; editada por Juan Francisco Sans
| Published: |
Caracas, Venezuela : Consejo Nacional de la Cultura : Fundación Vicente Emilio Sojo, 1997 |
| Series: |
Músicos venezolanos del siglo XIX |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 14.
|
Music score
|
Gaston Litaize
|
| 15.
|
Music score
|
Hans Werner Henze
| Published: |
Mainz : Schott, c1996 |
| Series: |
Musik unserer Zeit |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 16.
|
Music score
|
Daniel-Lesur
| Published: |
Paris : A. Leduc, c1935 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 17.
|
Music score
|
Hans Werner Henze ; libretto (liberamente dopo Molière) di Hans Werner Henze
| Published: |
Mainz : Schott, c1996 |
| Series: |
Musik unserer Zeit |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 18.
|
Music score
|
Mikis Theodorakis
| Published: |
Limassol, Cyprus : Romanos, c2000 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 19.
|
Music score
|
Benjamin Britten ; compiled by Dan Dressen
| Published: |
London : Boosey & Hawkes, c1999 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Virtue, says holy writ = Tugend, so sagt die Schrift : from Albert Herring |
|
|
Tickling a trout = Fischen bei Nacht : from Albert Herring |
|
|
Churchyard's agog with a crowd of folks = Die Kirche ist voll bis zum letzten Platz : from Albert Herring |
|
|
Caution is better, sweet highness = Und Vorsicht ist besser als verschnells Handeln : from Gloriana |
|
|
Within this frail crucible of light = Im zarten Kreis nächtlich milden Lichts : from The rape of Lucretia |
|
|
Jemmy Legs likes me = Jemmy Legs mag mich : from Billy Budd |
|
|
Look! Through the port comes the moonshine astray! = Schau! Wie ein Mondstrahl verirrt auf mich fallt! : from Billy Budd |
|
|
I had to strike down that Jemmy Legs = Doch ich mußte den Lumpenhund erschlagen : from Billy Budd |
|
|
Virtue, says holy writ = Tugend, so sagt die Schrift : from Albert Herring |
|
|
Tickling a trout = Fischen bei Nacht : from Albert Herring |
|
|
Churchyard's agog with a crowd of folks = Die Kirche ist voll bis zum letzten Platz : from Albert Herring |
|
|
| 20.
|
Music score
|
[Henry Purcell] ; edited under the supervision of the Purcell Society by Ian Spink
Table of Contents:
Read more
|
A health to the nut-brown lass : (Z. 240) |
|
|
An ape, a lion, a fox and an ass : (Z. 241) |
|
|
As Roger last night : (Z. 242) |
|
|
Call for the reck'ning : (Z. 244) |
|
|
Come, come let us drink : (Z. 245) |
|
|
Come my hearts : (Z. 246) |
|
|
Down, down with Bacchus : (Z. 247) |
|
|
Drink on till night be spent : (Z. 248) |
|
|
Full bags, a brisk bottle : (Z. 249) |
|
|
God save our sov'reign Charles : (Z. 250) |
|
|
Great Apollo and Bacchus : (Z. 251) |
|
|
Here's a health, a health : (Z. 252) |
|
|
Here's that will challenge : (Z. 253) |
|
|
He that drinks is immortal : (Z. 254) |
|
|
If all be true that I do think : (Z. 255) |
|
|
I gave her cakes : (Z. 256) |
|
|
Is Charleroy's siege come too? : (Z. 257) |
|
|
Let the grave folks to preach : (Z. 258) |
|
|
Let us drink to the blades : (Z. 259) |
|
|
My lady's coachman, John : (Z. 260) |
|
|
Now England's great council's : (Z. 261) |
|
|
Now, now we are met : (Z. 262) |
|
|
Of all the instruments that are : (Z. 263) |
|
|
Once in our lives : (Z. 264) |
|
|
Once, twice, thrice, I Julia tried : (Z. 265) |
|
|
One industrious insect : (Z. 266) |
|
|
Pale faces, stand by : (Z. 267) |
|
|
Pox on you for a fop : (Z. 268) |
|
|
Prithee, ben't so sad and serious : (Z. 269) |
|
|
Room for th'express : (Z. 270) |
|
|
Since the Duke is return'd : (Z. 271) |
|
|
Since time so kind to us does prove : (Z. 272) |
|
|
Since women so false : (Z.D 104) |
|
|
Sir Walter enjoying his damsel one night : (Z. 273) |
|
|
Soldier, soldier, take off thy wine : (Z. 274) |
|
|
Sum up all the delights : (Z. 275) |
|
|
The Macedon youth : (Z. 276) |
|
|
The miller's daughter riding to the fair : (Z. 277) |
|
|
The surrender of Lim'rick : (Z. 278) |
|
|
'Tis easy to force : (Z. 279) |
|
|
'Tis too late for a coach : (Z. 280) |
|
|
'Tis women makes us love : (Z. 281) |
|
|
To all lovers of music : (Z. 282) |
|
|
To thee, to thee, and to a maid : (Z. 283) |
|
|
True Englishmen drink : (Z. 284) |
|
|
Under a green elm : (Z. 285) |
|
|
Under this stone lies Gabriel John : (Z. 286) |
|
|
When V and I together meet : (Z. 287) |
|
|
Who comes there? Stand! : (Z. 288) |
|
|
Wine in a morning : (Z. 289) |
|
|
Would you know how we meet : (Z. 290) |
|
|
Young Colin cleaving : (Z. 291) |
|
|
Young John the gard'ner : (Z. 292) |
|
|
Catches from plays. At the close of the ev'ning : (Knight of Malta, Z. 599) |
|
|
Bring the bowl and cool Nantz : (The Richmond Heiress, Z. 243) |
|
|
Jack, thou'rt a toper : (Bonduca, Z. 574/10) |
|
|
My wife has a tongue : (The English Lawyer, Z. 594) |
|
|
Appendix. Fie, nay, prithee John : (Z.D 100) |
|
|
Let's live good honest lives : (Z.D 102) |
|
|
Tom, making a Manteau : (Z.D 106) |
|
|
A health to the nut-brown lass : (Z. 240) |
|
|
An ape, a lion, a fox and an ass : (Z. 241) |
|
|
As Roger last night : (Z. 242) |
|
|
| 21.
|
Music score
|
Theodor W. Adorno ; herausgegeben von Maria Luisa Lopez-Vito ; Nachwort von Rolf Tiedemann
| Published: |
München : Edition Text + Kritik, c2001 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Klavierstück (1920) |
|
|
Klavierstück (1921) |
|
|
Drei Klavierstücke. Für Maria Proelss (1924) |
|
|
P.K.B. eine kleine Kindersuite (1933) |
|
|
Drei kurze Klavierstücke (1934, 1945) |
|
|
Drei Klavierstücke (1927, 1945) |
|
|
Klavierstück (1920) |
|
|
Klavierstück (1921) |
|
|
Drei Klavierstücke. Für Maria Proelss (1924) |
|
|
| 22.
|
Music score
|
Giuseppe Verdi ; riduzione per canto e pianoforte condotta sull'edizione critica della partitura a cura di Fabrizio Della Seta
|
| 23.
|
Music score
|
Johannes Benn ; herausgegeben von Max Zulauf
Table of Contents:
Read more
|
Missa über das Geistliche Meyenlied für drei Solostimmen (Alt, Tenor und Baß) und vierstimmigen Ripieno-Chor |
|
|
Missa für zwei Sopran- oder Tenorstimmen und Baß und vierstimmigen Ripieno-Chor |
|
|
Missa pro defunctis : für zwei Tenöre und Baß und vierstimmigen Ripieno-Chor |
|
|
Missa für achtstimmigen Doppelchor |
|
|
Missa über das Geistliche Meyenlied für drei Solostimmen (Alt, Tenor und Baß) und vierstimmigen Ripieno-Chor |
|
|
Missa für zwei Sopran- oder Tenorstimmen und Baß und vierstimmigen Ripieno-Chor |
|
|
Missa pro defunctis : für zwei Tenöre und Baß und vierstimmigen Ripieno-Chor |
|
|
| 24.
|
Music score
|
Olivier Messiaen
| Published: |
Paris : Durand, c2000 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 25.
|
Music score
|
herausgegeben von Arnold Geering und Hans Trümpy
Table of Contents:
Read more
|
Dulcis Maria Dei |
(J. Prioris) |
|
In nomine Jesu |
(L. Compère) |
|
O praeclara virginum |
|
|
Ach, hulf mich leid |
(A.v. Fulda) |
|
Ach, hulf mich leid |
|
|
Fortuna desperata |
|
|
Benedictus qui venit |
H. Isaac |
|
Ach unfalls gwalt |
|
|
Fründlichen gruoß in trüwen gar |
|
|
Fründlichen gruoß zuo aller stund |
|
|
Fuogs, hoster hort |
|
|
Ich sünfz und klag |
|
|
Vil hinderlist |
|
|
Min herzigs herz |
|
|
Verlangen hart |
(J. Herr?) |
|
Ganz kurz darvon |
|
|
Ich bin verirrt |
|
|
Min herz lidt schmerz |
(L. Senfl?) |
|
Zuo trost erwelt |
|
|
Ach Gott, wie wee tuot scheiden |
|
|
Ob aller schön ir wiblich eer |
|
|
On freud verzer ich mengen tag |
|
|
Min höchste zart |
|
|
Exultandi tempus est |
|
|
Es gieng guot tröscher über land |
|
|
Die vollen brüedren |
|
|
Von tugend mild |
|
|
Tres sunt in carne una |
|
|
Es saß ein meitlin unde spann |
|
|
Zum nüwen jar |
|
|
Ein frölich wesen |
J. Obrecht(?) |
|
Ein frölich wesen |
(J. Herr?) |
|
In friem wesen was ein praß |
|
|
Erhör mich, lieb |
|
|
Unfall, wie tuost |
|
|
Hans, der het ein wib genommen |
|
|
Cupido hat in mir erdacht |
|
|
Si dedero somnum |
(A. Agricola?) |
|
Tristitia vestra vertetur |
(H. Isaac) |
|
Belle sur tout - Tora pulchra es |
(A. Agricola) |
|
Cum audisset Iob |
(C. Rigo de Bergis) |
|
Nigra sum |
|
|
Je ne fais plus |
(L. Compère?) |
|
Alles, regretz (Venez regretz) |
(L. Compère) |
|
Adieu mes amours |
(J. Desprez) |
|
L'amour de moi |
|
|
Le jardinet est si plesant |
|
|
La saison en est ou jamaiz |
(L. Compère) |
|
Je ne suis pas en ma plesance |
|
|
Sy j'ayme mon amy |
|
|
Adieu soulas, tous plaisir et lyesse |
|
|
Magie danger |
|
|
On doit bien aymer |
|
|
Guillaume se va chaufer |
(J. Desprez) |
|
La gran pena che io sento |
|
|
Consumo la mia vita |
(Prioris) |
|
O du armer Judas |
|
|
Christus surrexit |
|
|
Der hund |
(H. Isaac) |
|
Sancta Trinitas, unus Deus |
(A. Févin) |
|
Uß herzen grund füer ich klag |
|
|
Circumdederunt me |
(Le Compère) |
|
O werder mund |
|
|
Mins herzen kron |
|
|
Blib an mir stet |
|
|
Wie möcht ich frölich werden |
|
|
Herzlieb, gloub mir |
(J. Heer?) |
|
Wach uf, herzliebster schatz |
|
|
Nach allem wunsch |
|
|
Erkennen tuo |
(H. Isaac) |
|
Jetzund fart har die zit |
|
|
Unser meister het ein magd |
|
|
Pour vos plaisirs |
|
|
Caecus non iudicat de coloribus |
A. Agricola |
|
La mora |
H. Isaac |
|
Ein frölich wesen |
|
|
Cantilena jucundissima |
|
|
Qui venit |
(A. Brumel) |
|
Ach Jupiter, hettst du gewalt |
A.v. Fulda |
|
Appollo, aller kunst ein hort |
(A.v. Fulda) |
|
Ach, hulf mich leid |
(P. de la Rue) |
|
Carmen in Sol |
|
|
Carmen in Ut |
|
|
Was will es doch des wunders noch |
L. Senfl |
|
Nur nerrisch sinn ist nun in mir |
S. Dietrich |
|
Dulcis Maria Dei |
(J. Prioris) |
|
In nomine Jesu |
(L. Compère) |
|
O praeclara virginum |
|
|
| 26.
|
Music score
|
Olivier Messiaen
| Published: |
Paris : Durand, c2000 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 27.
|
Music score
|
herausgegeben von Hans Joachim Marx
Table of Contents:
Read more
|
Handschrift Basel, Universitätsbibliothek : Sign. F. IX. 22 (Codex Amerbach). Tristitia vestra |
Heinrich Isaac |
|
In pace in id ipsum : incerti |
|
|
Nil n'est plasier |
Heinrich Isaac |
|
Was ich durch Glück |
Paul Hofhaimer |
|
Gracieuse plaisante |
Heinrich Isaac |
|
Harmonia in sol |
Hans Kotter |
|
Betrübt ist mir min Herz |
Nicolaus (Craen?) |
|
Min einigs A. |
(Paul Hofhaimer) |
|
Si dedero |
(Alexander Agricola) |
|
Fortuna in mi |
Heinrich Isaac |
|
Fortuna d'un gran tempo |
Josquin Desprez(?) |
|
Die Zit nimmt und gibt (Schonlief) |
(Jacques Barbireau) |
|
Ein fröhlich Wesen |
(Jacques Barbireau) |
|
In minem Sinn |
Heinrich Isaac |
|
Andernach |
Paul Hofhaimer |
|
La Martinella |
(Johannes Martini) |
|
Benedictus |
Heinrich Isaac |
|
La Morra |
Heinrich Isaac |
|
Si dormiero : incerti |
|
|
Fantasia in ut |
Hans Kotter |
|
Adieu mes amours |
(Josquin Desprez) |
|
Ade mit Leid |
Paul Hofhaimer |
|
Spanieler (Tanz) |
Hans Kotter |
|
Fortuna in mi |
(Heinrich Isaac) |
|
Tota pulchra es |
(Alexander Agricola) |
|
Prooemium in re |
Hans Kotter |
|
Salve Regina |
Hans Kotter |
|
Ad te clamamus |
(Hans Kotter) |
|
Eia ergo |
(Hans Kotter) |
|
O clemens |
(Hans Kotter) |
|
O dulcis Maria |
(Hans Kotter) |
|
Praeludium in la |
Hans Kotter |
|
Αναβολη in fa |
Hans Kotter |
|
Praeambulum in fa |
Hans Kotter |
|
Praeludium in fa |
Hans Kotter |
|
Praeambulum in sol |
Hans Kotter |
|
Tanz Der schwarz Knab |
Johannes Weck |
|
Hopptanz |
(Johannes Weck) |
|
Carmen in sol |
Hans Kotter |
|
Pleni |
Anonymus |
|
Zucht, Ehr und Lob |
Paul Hofhaimer |
|
Kann ich kein Freud |
Sixtus Dietrich |
|
Tanzmaß Benzenauer |
Hans Buchner |
|
Expecta ung pauco |
Anonymus |
|
Ach hülf mich leid |
Hans Buchner |
|
J'ai trop aimé |
Anonymus |
|
Ami souffre que je vous aime |
(Pierre Moulu) |
|
Est-il conclu par un arrêt d'amour |
Anonymus |
|
Je m'y plains fort |
Anonymus |
|
Sicut malus |
(Pierre Moulu) |
|
Nach willen din |
(Paul Hofhaimer) |
|
Us tiefer Not schry ich zu dir |
Hans Kotter |
|
Kochersperger Spanieler |
Hans Kotter |
|
Handschrift Basel, Universitätsbibliothek : Sign. F. IX. 58. Spanieler Tanz |
Johannes Weck |
|
Hoppertanz |
(Johannes Weck) |
|
Ein ander Tanz |
Johannes Weck |
|
Spanieler (Tanz) |
Hans Buchner |
|
O Herre Gott, begnade mich |
(Hans Kotter?) |
|
Au bois de deuil |
(Claudin de Sermisy) |
|
Sur le bon |
Jean Rousse |
|
Kochersperger Spanieler |
(Hans Kotter) |
|
En est-il un qui aime |
Anonymus |
|
J'ai mis mon (cœur) |
Anonymus |
|
Handschrift Basel, Universitätsbibliothek : Sign. F. VI. 26 (c) (Fundamentum für Oswald Holzach). Salve Regina in re |
Hans Kotter |
|
(Fortuna d'un gran tempo) |
(Josquin Desprez?) |
|
Min Gmüt und Blut (Fragment) : incerti |
|
|
Handschrift Basel, Universitätsbibliothek : Sign. F. IX. 56. Ami souffre que je vous (aime) |
(Pierre Moulu) |
|
Praeludium |
Anonymus |
|
Handschrift Basel, Universitätsbibliothek : Sign. F. IX. 22 (Codex Amerbach). Tristitia vestra |
Heinrich Isaac |
|
In pace in id ipsum : incerti |
|
|
Nil n'est plasier |
Heinrich Isaac |
|
| 28.
|
Music score
|
herausgegeben von Hans Joachim Marx
Table of Contents:
Read more
|
Herz einigs Leib |
(Sixt Dietrich) |
|
Je ne scay |
anonym |
|
Allein din Huld |
(Ludwig Senfl) |
|
Anfang ist lieben |
anonym |
|
Kein Lieb ohn' Treu |
(Ludwig Senfl) |
|
All min Lebtag |
anonym |
|
Ja freilich bin ich da |
anonym |
|
Patientiam muß ich han |
(Ludwig Senfl) |
|
Was brucht min Glück |
anonym |
|
Wo ich ausfahr |
anonym |
|
Din Lieb hat mich |
(Ludwig Senfl) |
|
Aus schwerer Pein |
anonym |
|
Nach Willen dein |
(Paul Hofhaimer) |
|
Ein Freuwlein fein |
anonym |
|
Früntlicher Gruss |
anonym |
|
Verschütt' hab' ich das Habermus |
(Matthias Greiter) |
|
Ein Meydlin an ein Ladin lag |
(Sixt Dietrich) |
|
Ich weiss mir ein freins brauns Meidelin |
(H. Fritz) |
|
Froh bin ich dein |
Paul Hofhaimer |
|
Ein seltsam nüwe Abenteuer |
Matthias Greiter |
|
Herbei, herbei was Löffel sei |
Matthias Greiter |
|
A. du min Trost |
(Paul Hofhaimer) |
|
Erwählt han ich |
anonym |
|
Duo |
(Josquin Desprez) |
|
Ein anderes Duo |
(Josquin Desprez) |
|
Ursach und Fug |
anonym |
|
Ich weiß mir ein hübsche Graserin |
(Matthias Greiter) |
|
Ach werte Frucht |
(Ludwig Senfl) |
|
Herr nun heb den Wagen I |
(Huldrych Zwingli) |
|
Herr nun heb den Wagen II |
(Huldrych Zwingli) |
|
Mag ich Unglück nit widerstahn |
(Ludwig Senfl) |
|
(Ohne Title) |
Josquin |
|
Jetzt scheiden |
anonym |
|
Nach Lust hat ich mir usewählt |
anonym |
|
Das Kalb gaht siner Nahrung nach |
anonym |
|
Rosina wo was din Gestalt |
anonym |
|
Ach Jupiter |
(Adam von Fulda) |
|
Ich werd erlost |
(H. Fritz) |
|
Ob allem Wert uf dieser Erd |
anonym |
|
Mein einigs A. |
(Paul Hofhaimer) |
|
Mein herzigs A. |
(Paul Hofhaimer) |
|
Innsbruck |
(Heinrich Isaac) |
|
Amy souffre |
anonym |
|
Tens mes amys |
anonym |
|
Lay qui moy fay |
anonym |
|
Scaramella |
anonym |
|
Schwarz Knab |
anonym |
|
Herz einigs Leib |
(Sixt Dietrich) |
|
Je ne scay |
anonym |
|
Allein din Huld |
(Ludwig Senfl) |
|
| 29.
|
Music score
|
Xaver Schnyder von Wartensee ; herausgegeben von Peter Otto Schneider
|
| 30.
|
Music score
|
Henricus Albicastro ; herausgegeben von Max Zulauf
|
| 31.
|
Music score
|
Loys Bourgeois ; publié par Paul-André Gaillard
Table of Contents:
Read more
|
Pseaulme I, Dixit Dominus Domino meo |
|
|
Pseaulme II, Dominos regit me, et nihil |
|
|
Pseaulme III, Confitebor tibi Domine, in toto corde meo |
|
|
Pseaulme IV, Deus meus respice in me, quare me dereliquisti? |
|
|
Pseaulme V, Deus venerunt gentes in haereditatem |
|
|
Pseaulme VI, Ad te Domine, levavi animam meam |
|
|
Le cantique de Siméon : Nunc dimittis servum tuum Domine |
|
|
Pseaulme VIII, Non nobis, Domine, non nobis |
|
|
Pseaulme IX, Dixit insipiens in corde suo |
|
|
Pseaulme X, Eructavit cor meum verbum bonum |
|
|
Pseaulme XI, Misericordiam et indicium cantabo |
|
|
Pseaulme XII, Confitebor tibi, Domine, in toto corde meo |
|
|
Pseaulme XIII, In Domino confido |
|
|
Pseaulme XIV, Noli aemulari in maliguantibus |
|
|
Pseaulme XV, Quare fremuerunt gentes |
|
|
Pseaulme XVI, Domini est terra et plenitudo |
|
|
Pseaulme XVII, Deus, indicium tuum regi da |
|
|
Pseaulme XVIII, Diligam te Domine |
|
|
Pseaulme XIX, Domine, ne in furore tuo arguas me |
|
|
Pseaulme XX, Domine, ne in furore tuo arguas me |
|
|
Pseaulme XXI, Deus, Deus meus, ad te deluce |
|
|
Pseaulme XXII, Qui habitat in adiutorio altissimi |
|
|
Pseaulme XXIII, Beati omnes, qui timent Dominum |
|
|
Pseaulme XXIV, De profundis clamavi ad te |
|
|
Pseaulme I, Dixit Dominus Domino meo |
|
|
Pseaulme II, Dominos regit me, et nihil |
|
|
Pseaulme III, Confitebor tibi Domine, in toto corde meo |
|
|
| 32.
|
Music score
|
Enrique Granados
| Published: |
Barcelona : Boileau, c2001- |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 33.
|
Music score
|
| Published: |
Oxford : Oxford University Press |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 34.
|
Music score
|
Johann Melchior Gletle ; herausgegeben von Hans Peter Schanzlin ; Continuo-Bearbeitung von Max Zulauf
Table of Contents:
Read more
|
Aus Motetten op. 1 (1667). Regina coeli : (2 Soprane oder Tenöre, Continuo) |
|
|
Tota pulchra es : (Alt, Tenor, Baß, Continuo) |
|
|
Salve Regina : (Alt, Tenor, Baß, Continuo) |
|
|
Pie pellicane : (Sopran oder Tenor 3 Instrumente, Continuo) |
|
|
Bonum certamen : (Baß, 5 Instrumente, Continuo) |
|
|
Anima Christi : (Alt, Tenor, 5 Instrumente, Continuo) |
|
|
Aus Psalmen op. 2 (1668). Magnificat (5 Singstimmen mit Ripienochor, 5 Instrumente, Continuo) |
|
|
Aus Motetten op. 5 (1677). Justus germinabit : (Sopran oder Tenor, 2 Violinen, Continuo) |
|
|
Defecit gaudium cordis nostri : (Sopran oder Tenor, 5 Instrumente, Continuo) |
|
|
Veni, sancte spiritus : (Sopran oder Tenor, 2 Violinen, Continuo) |
|
|
Domine, non sum dignus : (Sopran oder Tenor, 5 Instrumente, Continuo) |
|
|
Miseremini mei : (Sopran oder Tenor, 5 Instrumente, Continuo) |
|
|
Popule meus : (Sopran oder Tenor, 2 Violen, Continuo) |
|
|
O Jesu, rex noster : (Alt, 5 Instrumente, Continuo) |
|
|
Aus Litaneien op. 6 (1681). Kyrie eleison : (5 Singstimmen mit Ripienochor, 8 Instrumente, Continuo) |
|
|
Ave Maria : (Sopran oder Tenor, Continuo) |
|
|
Ave Maria : (2 Bässe, Continuo) |
|
|
Ave Maria : (Sopran, Alt, Tenor, Baß, Continuo) |
|
|
Sub tuum praesidium : (Sopran oder Tenor, Continuo) |
|
|
Stella coeli extirpavit : (2 Soprane oder Tenöre, Continuo) |
|
|
Aus Motetten op. 1 (1667). Regina coeli : (2 Soprane oder Tenöre, Continuo) |
|
|
Tota pulchra es : (Alt, Tenor, Baß, Continuo) |
|
|
Salve Regina : (Alt, Tenor, Baß, Continuo) |
|
|
| 35.
|
Music score
|
John Jenkins ; transcribed and edited by Andrew Ashbee
Table of Contents:
Read more
|
[v.] 1. Fantasia-suites for two trebles, bass and organ (VdGS group II). Suite no. 1 in F (VdGS no. 1) |
|
|
Suite no. 2 in G (VdGS no. 2) |
|
|
Suite no. 3 in a (VdGS no. 3) |
|
|
Suite no. 4 in B flat (VdGS no. 4) |
|
|
Suite no. 5 in C (VdGS no. 5) |
|
|
Suite no. 6 in D (VdGS no. 6) |
|
|
Suite no. 7 in e (VdGS no. 7) |
|
|
Suite no. 8 in g (VdGS no. 8) |
|
|
Suite no. 9 in C (VdGS no. 9) |
|
|
Suite no. 10 in F (VdGS no. 10) |
|
|
Fantasia-air sets for two trebles, bass and organ (VdGS group VII). Fantasia-air set no. 1 in d (VdGS no. 1) |
|
|
Fantasia-air set no. 2 in a (VdGS no. 2) |
|
|
Fantasia-air set no. 3 in D (VdGS no. 3) |
|
|
Fantasia-air set no. 4 in g (VdGS no. 4) |
|
|
Fantasia-air set no. 5 in F (VdGS no. 5) |
|
|
Fantasia-air set no. 6 in B flat (VdGS no. 6) |
|
|
Fantasia-air set no. 7 in e (VdGS no. 7) |
|
|
Air in e (VdGS no. 7a) |
|
|
Air in e (VdGS no. 7b) |
|
|
Fantasia-air set no. 8 in C (VdGS no. 8) |
|
|
Fantasia-air set no. 9 in D (VdGS no. 9) |
|
|
Fantasia-air set no. 10 in a (VdGS no. 10) |
|
|
Fantasia-air set no. 11 in g (VdGS no. 11) |
|
|
Fantasia-air set no. 12 in c (VdGS no. 12) |
|
|
Fantasia-air set no. 13 in A (VdGS no. 13) |
|
|
Fantasia-air set no. 14 in F (VdGS no. 14) |
|
|
Fantasia-air set no. 15 in a (VdGS no. 15) |
|
|
[v.] 2. Fantasia-suites for treble, two basses and organ (VdGS group III). Suite no. 1 in g (VdGS no. 1) |
|
|
Suite no. 2 in a (VdGS no. 2) |
|
|
Suite no. 7 in d (VdGS no. 7) |
|
|
Suite no. 8 in e (VdGS no. 8) |
|
|
Suite no. 9 in F (VdGS no. 9) |
|
|
Appendix : Divisions for treble, and two basses (VdGS Nos. 1-29) (the extant bass part) |
|
|
Air in C |
|
|
Corant in C |
|
|
Air in a |
|
|
Corant in a |
|
|
Air in g |
|
|
Corant in g |
|
|
Fantasia in D |
|
|
Air in D |
|
|
Fantasia in e |
|
|
Air in e |
|
|
Corant in e |
|
|
Saraband in e |
|
|
Air in F |
|
|
Fantasia in F |
|
|
Air in B flat |
|
|
Corant in B flat |
|
|
Fantasia in g |
|
|
[v.] 3. Fantasia-suites for treble, bass and organ (VdGS group I). Suite no. 1 in F major (VdGS no. 1) |
|
|
Suite no. 2 in F major (VdGS no. 2) |
|
|
Suite no. 3 in G minor (VdGS no. 3) |
|
|
Suite no. 4 in G major (VdGS no. 4) |
|
|
Suite no. 5 in A minor (VdGS no. 5) |
|
|
Suite no. 6 in A minor (VdGS no. 6) |
|
|
Suite no. 7 in A major (VdGS no. 7) |
|
|
Suite no. 8 in B flat major (VdGS no. 8) |
|
|
Suite no. 9 in B flat major (VdGS no. 9) |
|
|
Suite no. 10 in C major (VdGS no. 10) |
|
|
Suite no. 11 in C minor (VdGS no. 11) |
|
|
Suite no. 12 in D minor (VdGS no. 12) |
|
|
Suite no. 13 in D minor (VdGS no. 13) |
|
|
Suite no. 14 in D major (VdGS no. 14) |
|
|
Suite no. 15 in D major (VdGS no. 15) |
|
|
Suite no. 16 in E minor (VdGS no. 16) |
|
|
Suite no. 17 in E minor (VdGS no. 17) |
|
|
Fantasia-suites for treble, bass and organ (VdGS group IV). Suite no. 1 in A minor (VdGS no. 1) |
|
|
Suite no. 2 in G minor (VdGS no. 2) |
|
|
[v.] 1. Fantasia-suites for two trebles, bass and organ (VdGS group II). Suite no. 1 in F (VdGS no. 1) |
|
|
Suite no. 2 in G (VdGS no. 2) |
|
|
Suite no. 3 in a (VdGS no. 3) |
|
|
| 36.
|
Music score
|
van Pieter de Vois en anonymi
| Published: |
Amsterdam : S.B. Groen, 1974 |
| Series: |
'T uitnement kabinet ; 6 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Brande yrlandt |
Pieter de Vois |
|
Passomeso d'Italij |
Pieter de Vois |
|
Courante Bourbon |
anonymus |
|
Courante monsieur |
anonymus |
|
Courante la boivinette |
anonymus |
|
Fantasia |
anonymus |
|
Brande yrlandt |
Pieter de Vois |
|
Passomeso d'Italij |
Pieter de Vois |
|
Courante Bourbon |
anonymus |
|
| 37.
|
Music score
|
van Cornelis Jansz Helmbreker, Cornelis Kist en I.H
| Published: |
Amsterdam : S.B. Groen, 1973 |
| Series: |
'T uitnement kabinet ; 10 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Voospel |
Cornelis Jansz Helmbreker |
|
Franse air, faut atacquer la loreyne |
Cornelis Kist |
|
Cloris quand je vois ton visage |
Cornelis Kist |
|
Ballet de grevelinge |
Cornelis Kist |
|
Sarabande |
Cornelis Kist |
|
Almande du Roy |
Cornelis Kist |
|
Engels vois |
Cornelis Kist |
|
Almande van Primeroses |
Cornelis Kist |
|
Almande |
Cornelis Kist |
|
Courante |
Cornelis Kwist [i.e. Kist] |
|
Ballet |
Cornelis Kist |
|
Prins Robberts Masco |
I.H |
|
Nachtegael |
I.H |
|
Tweede nachtegael |
I.H |
|
Amarilli mia bella |
I.H |
|
Echo |
I.H |
|
Voospel |
Cornelis Jansz Helmbreker |
|
Franse air, faut atacquer la loreyne |
Cornelis Kist |
|
Cloris quand je vois ton visage |
Cornelis Kist |
|
| 38.
|
Music score
|
Olivier Messiaen
| Published: |
Paris : A. Leduc, c1952 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 39.
|
Music score
|
Olivier Messiaen
| Published: |
Paris : Durand, c1947 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
Regard du Père |
|
|
Regard de l'étoile |
|
|
L'échange |
|
|
Regard de la Vierge |
|
|
Regard du Fils sur le Fils |
|
|
Par Lui tout a été fait |
|
|
Regard de la Croix |
|
|
Regard des hauteurs |
|
|
Regard du temps |
|
|
Regard de l'Esprit de joie |
|
|
Première communion de la Vierge |
|
|
La parole toute puissante |
|
|
Noël |
|
|
Regard des Anges |
|
|
Le baiser de l'Enfant-Jésus |
|
|
Regard des prophètes, des bergers et des mages |
|
|
Regard du silence |
|
|
Regard de l'Onction terrible |
|
|
Je dors, mais mon cœur veille |
|
|
Regard de l'Eglise d'amour |
|
|
Regard du Père |
|
|
Regard de l'étoile |
|
|
L'échange |
|
|
| 40.
|
Music score
|
Fryderyk Chopin
|
| 41.
|
Music score
|
Prokofiev ; commentary by Masayuki Yasuhara
| Published: |
Tokyo : Zen-on Music, 2001 |
| Series: |
Zen-on score |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 42.
|
Music score
|
Schostakovich ; [森田稔解説・ロシア語訳 ; 岸本力演奏アドバイス]
| Published: |
Tokyo : Zen-on Music, 2001 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
Table of Contents:
Read more
|
The great day has come (the vow to the people's commissar) : for bass soloist, chorus and piano (1941) = Великий день настал = 偉大な日の始まり |
|
|
Song of a guards division : for bass soloist, mixed chorus and piano (1941) = Песня гвардейской дивизии = 親衛隊師団の歌 |
|
|
Glory to our Soviet motherland : for mixed chorus and piano (1943) = Славься, Отчизна Советов = 栄光あれ、ソヴィエト政権の祖国よ |
|
|
A toast to our motherland : for tenor soloist, mixed chorus and piano (1944) = Заздравная песня о родине = 祖国への挨拶の歌 |
|
|
The black sea : for bass soloist, men's chorus and piano (1944) = Черное море = 黒海 |
|
|
Our song : for bass soloist, mixed chorus and piano (1950) = Наша песня = 我らの歌 |
|
|
March of peace champions : for tenor soloist, chorus and piano (first published: 1956) = Марш сторонников мира = 平和擁護者の行進曲 |
|
|
Our motherland hears : for soloist and unaccompanied chorus, op. 86-1 (1950) = Родина слышит = 祖国は聞いている |
|
|
The October dawn : for chorus and piano (1957) = Заря Октября = 十月の夜明け |
|
|
We cherish the October dawns in our hearts : for chorus and piano (1957) = Мы в сердце октябрьские зори храним = 我らは十月の夜明けを心に留めている |
|
|
We sing glory to our country : for chorus and piano (1957) = Мы Родину славим = 我らは祖国を讃える |
|
|
The great day has come (the vow to the people's commissar) : for bass soloist, chorus and piano (1941) = Великий день настал = 偉大な日の始まり |
|
|
Song of a guards division : for bass soloist, mixed chorus and piano (1941) = Песня гвардейской дивизии = 親衛隊師団の歌 |
|
|
Glory to our Soviet motherland : for mixed chorus and piano (1943) = Славься, Отчизна Советов = 栄光あれ、ソヴィエト政権の祖国よ |
|
|
| 43.
|
Music score
|
André Fleury
Table of Contents:
Read more
|
Prélude |
|
|
Choral |
|
|
Fuguette |
|
|
Sicilienne |
|
|
Le glas |
|
|
A la Sainte Vierge (Inviolata) |
|
|
Final |
|
|
| 44.
|
Music score
|
Marcel Dupré
| Published: |
Paris : S. Bornemann, c1962 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 45.
|
Music score
|
Marcel Dupré
| Published: |
Paris : Bornemann, c1968 |
| Holding items in this series: |
loading… |
| Holdings: |
loading… |
|
| 46.
|
Music score
|
Akira Nishimura = 西村朗
|
| 47.
|
Music score
|
Akira Nishimura = 西村朗
|
| 48.
|
Music score
|
Akira Nishimura = 西村朗
|
| 49.
|
Music score
|
Akira Nishimura = 西村朗
|
| 50.
|
Music score
|
Reinhard Keiser ; Libretto von Johann Joachim Hoë ; herausgegeben von Klaus Zelm
|
