東京藝術大学附属図書館 OPAC

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	Introductory remarks on the conception of this book	Lenka Kérupkovâa and Jiéri Kopeckây
	Flowers in the graveyard, tombstones in the garden	Michael Beckerman
	The "other world" of music at the turn of the century	Marta Ottlovâa
	In the footsteps of tradition : the spirit of romanticism. 1892 : the international succes of Smetana's The bartered bride	Jiéri Kopeckây
	A rare meeting of minds in Kvapil's and Dvoérak's Rusalka : the background, the artistic result, and response by the world of opera	David Beveridge
	Delayed subjective romanticism in Czech music : Novák as a romantic	Lenka Křupková
	Čapek’s feminism and Janáček’s femme fatale : notes on traditional opera aesthetics in Janáček’s opera the Makropulos Case	Lenka Křupková
	Czech Music at the Heart of European Music round 1900. Novák as an axial figure in Czech music	Lenka Křupková
	Novák’s reception abroad	Lenka Křupková
	Josef Suk, Dvořák’s favorite pupil	Zdeněk Nouza
	Fibich’s path to success in Prague’s national theater	Jiří Kopecký
	Tchaikovsky, charpentier and the formation of Janáček’s mature operatic style	John Tyrrell
	Josef Bohuslav Foerster’s lyrical opera Eva and the tradition of the French drama lyrique	Jiří Kopecký
	Otakar Ostrčil and Mahler’s influence in Prague	Filip Karlík
	Folk culture as an outward source of artistic inspiration : Vítězslav Novák the tourist	Lenka Křupková
	The Clash with Compositional Issues of European Music. The concept of multi-movement structure within a single movement in the music of Vítězslav Novák	Lenka Křupková
	Heritage and new paths in the piano sonatas of Vítězslav Novák and Leoš Janáček	Lenka Křupková
	Josef Suk’s ripening and the birth of the Czechoslovak Republic	Judith Fiehler
	The consequences of conflict in the Czech musical world : Zdeněk Fibich as a point of contention in Novák’s polemics with Nejedlý	Lenka Křupková

	Introductory remarks on the conception of this book	Lenka Kérupkovâa and Jiéri Kopeckây
	Flowers in the graveyard, tombstones in the garden	Michael Beckerman
	The "other world" of music at the turn of the century	Marta Ottlovâa

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