| 1.
|
楽譜
|
Maurice Greene
|
| 2.
|
楽譜
|
G. Frescobaldi
|
| 3.
|
楽譜
|
G. Frescobaldi ; [transcription, registration par G. Sazerac de Forge]
|
| 4.
|
楽譜
|
John Bull ; edited by John Steele & Francis Cameron with additional material by Thurston Dart
|
| 5.
|
楽譜
|
Orlando Gibbons ; transcribed and edited by Gerald Hendrie
目次情報:
続きを見る
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Prelude (a) |
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Prelude (G) |
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(Short) Prelude (d) |
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(Short) Prelude (a) |
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Fantasia (d) |
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Fantasia for double organ (d) |
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Fantasia (g) |
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Fantasia (a) |
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Fantasia (C) |
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Pavan (d) |
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Pavan (g) |
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Pavan (a) |
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Pavan: Lord Salisbury (a) |
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Galliard: Lord Salisbury (a) |
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Galliard: Lady Hatton (d) |
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Galliard (d) |
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Galliard (a) |
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Galliard (C) |
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Ground (a) |
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The Italian ground (C) |
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The queen's command (C) |
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The woods so wild (F/G) |
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Peascod time or the hunt's up (G |
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Whoop, do me no harm good man (G) |
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French air (F/d) |
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Alman (d) |
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Alman (a) |
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Alman (C) |
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Alman: The king's jewel (G) |
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Alman (G) |
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French coranto (d) |
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Coranto (d) (two versions) |
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Coranto (a) |
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Nann's mask or French alman (d) |
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Mask: Welcome home (d) |
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Mask: The fairest nymph (a) |
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Lincoln's inn mask (C) |
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The temple mask (C) |
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Appendix I (doubtful works). Prelude (G) |
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Plainsong fantasia (a) |
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Appendix II (incipits of spurious works). Fantasia or dorick music (a) |
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Sarabrand (C) |
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Air (d) |
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Coranto (d) |
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Coranto (F) |
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Plainsong fantasia (G) |
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Fantasia (G) |
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Prelude (a) |
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Prelude (G) |
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(Short) Prelude (d) |
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| 6.
|
楽譜
|
[Jan Pieterszoon Sweelinck] ; herausgegeben von Harald Vogel
目次情報:
続きを見る
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In Liniennotation überlieferte Werke. Christe qui lux es et dies : SwWV 301 |
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Da pacem Domine in diebus nostris : SwWV 302 |
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Erbarm dich mein o Herre Gorr : SwWV 303 |
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Ich ruf zu dir Herr Jesu Christ : SwWV 305 |
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Nun freut euch lieben Christen gmein : SwWV 307 |
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Psalm 140 : SwWV 314 |
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Wir glauben all an enien Gott : SwWV 316 |
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In Tabulatur überlieferte Werke. Allein Got in der Höh sey Ehr : SwWV 299 |
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Allein zu dir Herr Jesu Christ : SwWV 309 |
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Die 10 Gebot Gottes : SwWV 314a |
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Psalm 36 : SwWV 311 |
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Psalm 116 : SwWV 313 |
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Anonyma. Jesus Christus unse Heiland: SwWV 306 |
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O Gott du unser Vater vist: SwWV 308 |
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Psalm 23 Mein Hüter und mein Hirt : SwWV 310 |
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Psalm 60 : SwWV 312 |
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|
Canon a 3 (Ave maris stella) : SwWV 193 |
|
|
Anhang: Erbarm dich mein o Herre Gott (3./4. Variatio - manualiter) |
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|
In Liniennotation überlieferte Werke. Christe qui lux es et dies : SwWV 301 |
|
|
Da pacem Domine in diebus nostris : SwWV 302 |
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Erbarm dich mein o Herre Gorr : SwWV 303 |
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|
| 7.
|
楽譜
|
Jean-Jacques Beauvarlet-Charpentier ; présentation par Jean Saint-Arroman
|
| 8.
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楽譜
|
[Sweelinck] ; herausgegeben von Siegbert Rampe
目次情報:
続きを見る
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[v.] 1. Variationen gesicherter Authentizität (Teil 1) = Variations of certain authenticity (part 1). V1, Balleth, del granduca in G |
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V2, Esce mars. in C |
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V3, Ich fuhr mich vber Rheinne, in a |
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V4, Mein junges Leben hat ein Endt in d |
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V5, Paduana lachrimæ collorirt in a |
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V6a, Pavana hispanica in g |
J.P. Sweelinck & S. Scheidt |
|
V6a, Paduana, hispania in g |
J.P. Sweelinck & S. Scheidt |
|
V7, Pavan Philippi in G |
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V11, Variationen ungesicherter Authentizität = Variations of uncertain authenticity. Allemande de chapelle in C |
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V12, Bergamasca in G |
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V13, Malle Sijmen in d |
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V14, Passomeza a 4 voc(i) in G |
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[v.] 2. Variationen gesicherter Authentizität (Teil 2) = Variations of certain authenticity (part 2). V8, Soll es sein in C |
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V9, Unter der Linden grüne in G |
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V10, Von der Fortuna werd ich getrieben in g |
J.P. Sweelinck & S. Scheidt |
|
Zugeschriebene Werke = Attributed works. V15, Allemand in F |
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V16, Die flichtig Nimphæ. in C |
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Anhang = Appendix. Die flichtig Nimphæ. Altr(amente) in C |
Anonymous |
|
Niederländisch liedgen in C |
Anonymous |
|
Ballet in C |
Anonymous |
|
[v.] 1. Variationen gesicherter Authentizität (Teil 1) = Variations of certain authenticity (part 1). V1, Balleth, del granduca in G |
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V2, Esce mars. in C |
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V3, Ich fuhr mich vber Rheinne, in a |
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|
| 9.
|
楽譜
|
[Jan Pieterszoon Sweelinck] ; herausgegeben von Pieter Dirksen
目次情報:
続きを見る
|
In Liniennotation überlieferte Werke. Esce mars : SwWV 321 |
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Ich fuhr mich vber Rheine (Ick voer al over Rhijn) : SwWV 322 |
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Mein junges Leben hat ein Endt : SwWV 324 |
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Pavan Philippi : SwWV 329 |
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|
Puer nobis nascitur : SwWV 315 |
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Soll es sein (Poolse almande) : SwWV 330 |
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Unter der Linden grune (Onder een linde groen) : SwWV 325 |
|
|
Allemand (Gratie) : SwWV 318 |
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|
Die flichtig Nimphae (Vluchtige nimph) : SwWV 331 |
|
|
(Ausschließlich) in Tabulatur überlieferte Werke. Pavana hispanica : SwWV 327 |
|
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Paduana lachrymae : SwWV 328 |
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Von der fortuna werd ich getrieben (Engelse fortuijn) : SwWV 320 |
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Anhang: Zweifelhafte Werke. Alemande de chapelle : SwWV 317 |
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|
Balleth del granduca : SwWV 319 |
|
|
Malle Sijmen : SwWV 323 |
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|
Passomeza : SwWV 326 |
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|
In Liniennotation überlieferte Werke. Esce mars : SwWV 321 |
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Ich fuhr mich vber Rheine (Ick voer al over Rhijn) : SwWV 322 |
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|
Mein junges Leben hat ein Endt : SwWV 324 |
|
|
| 10.
|
楽譜
|
Gottlieb Muffat ; hrsg. von Walter Upmeyer
| 出版情報: |
Kassel : Bärenreiter, 1952 |
| 子書誌情報: |
loading… |
| 所蔵情報: |
loading… |
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| 11.
|
楽譜
|
Pierre Dandrieu
|
| 12.
|
楽譜
|
Gregorio Strozzi ; edited by Barton Hudson
目次情報:
続きを見る
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Capriccio primo sopra Ut Re Mi Fa Sol La, con partite |
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Capriccio secondo del settimo tono naturale |
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Capriccio terzo del decimo tono trasportato |
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Ricercata prima del primo tono naturale, con quattro soggetti |
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|
Ricercata seconda del secondo tono trasportato, con tre soggetti |
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|
Ricercata terza del nono tono naturale, con due soggetti |
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Sonata prima, ò canzona francese del secondo tono naturale, all' ottava sopra |
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Sonata seconda del settimo tono naturale |
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Sonata terza dell'undecimo tono trasportato all'ottava sotto |
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|
Toccata prima, con pedarole e senza |
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|
Toccata seconda |
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Toccata terza |
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|
Toccata per l'elevatione |
|
|
Ancidetemi diminuito, madrigale dell'Arcadelt |
|
|
Romanesca con partite, tenori, e ritornelli |
|
|
Gagliarda prima |
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Gagliarda seconda |
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Gagliarda terza |
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Corrente prima |
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Corrente seconda |
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Corrente terza |
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|
Corrente quarta à due parti, basso e soprano |
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|
Corrente quinta à due, con balletto |
|
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Corrente sesta à due, con balletto |
|
|
Corrente settima à due per organetto ò flauto |
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|
Corrente ottava à due |
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|
Balletto detto la maschera, con ritornelli |
|
|
Eufonia, aria, con partite |
|
|
Toccata de passagagli, e ciascheduno si può sonare à solo |
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|
Capriccio primo sopra Ut Re Mi Fa Sol La, con partite |
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|
Capriccio secondo del settimo tono naturale |
|
|
Capriccio terzo del decimo tono trasportato |
|
|
| 13.
|
楽譜
|
John Bull ; edited by John Steele & Francis Cameron with additional material by Thurston Dart
|
| 14.
|
楽譜
|
Johann Jakob Froberger ; herausgegeben von Rudolf Walter
|
| 15.
|
楽譜
|
Johann Sebastian Bach
|
| 16.
|
楽譜
|
Bernardo Pasquini ; edited by Maurice Brooks Haynes
| 出版情報: |
[S.l.] : American Institute of Musicology , Neuhausen-Stuttgart : Hänssler-Verlag, 1964-1968 |
| シリーズ名: |
Corpus of early keyboard music ; 5 |
| 子書誌情報: |
loading… |
| 所蔵情報: |
loading… |
|
| 17.
|
楽譜
|
Ercole Pasquini ; edited by W. Richard Shindle
目次情報:
続きを見る
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Toccata |
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Durezze e ligature |
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Durezze |
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Canzona |
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Fuga |
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Canzona francese |
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Canzona terzo tono |
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Altra sonata |
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Primo tono |
|
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[No title] |
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Ancor che col partire |
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Ruggiero |
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Pass'e mezzo |
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Romanesca |
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Corrente |
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Gagliarda |
|
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B. D. H. P. |
|
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Toccata |
|
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Durezze e ligature |
|
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Durezze |
|
|
| 18.
|
楽譜
|
Adam Reincken ; edited by Willi Apel
目次情報:
続きを見る
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Was kan uns kommen an für Noth |
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An Wasserflüssen Babylon |
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Toccata |
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Fuga |
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Partite diversa sopra l'Aria: Schweiget mir von Weiber nehmen, altrimento chiamata La Meyerin |
|
|
Ballet ex E.g. |
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|
Suite ex G [本位記号] |
|
|
Suite ex C [本位記号] |
|
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Suite in E minor |
|
|
Was kan uns kommen an für Noth |
|
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An Wasserflüssen Babylon |
|
|
Toccata |
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| 19.
|
楽譜
|
Christopher Gibbons ; edited by Clare G. Rayner
|
| 20.
|
楽譜
|
Pieter Cornet ; edited by Willi Apel
目次情報:
続きを見る
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Fantasia del primo tono |
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Fantasia del 2. tuono |
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Fantasia 3. toni |
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Fantasia del 5. tuono |
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Fantasia 8. toni |
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Fantasia |
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Toccata del 3. tono |
|
|
Salve regina |
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|
Tantum ergo |
|
|
Courante |
|
|
Corranta |
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Fantasia del primo tono |
|
|
Fantasia del 2. tuono |
|
|
Fantasia 3. toni |
|
|
| 21.
|
楽譜
|
Samuel Mareschal ; edited by Jean-Marc Bonhote
目次情報:
続きを見る
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Ballet cachez beaux yeux |
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Ballet joly |
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Fuga |
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Fuga im A |
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Fuga im D |
|
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Die zwölff toni oder modi utraque scalae |
|
|
Pseaume VI |
|
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Pseaume VIII |
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|
Pseaume XXIII |
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Pseaume LXXI |
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Pseaume XXXIII |
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Pseaume XLII |
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Pseaume XLVII |
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Pseaume LI |
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Pseaume LXI |
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Pseaume CXVIII |
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Pseaume LXXV |
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Pseaume LXXXI |
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Pseaume CIII |
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|
Pseaume CXXX |
|
|
Pseaume CXXXVII |
|
|
Pseaume CXLVIII |
|
|
Ballet cachez beaux yeux |
|
|
Ballet joly |
|
|
Fuga |
|
|
| 22.
|
楽譜
|
Girolamo Frescobaldi ; edited by W.R. Shindle
目次情報:
|
v. 1. Toccatas |
|
|
v. 2. Capricci, canzoni, and other contrapuntal compositions |
|
|
v. 3. Hinni, partite, corrente, and appendix |
|
|
v. 1. Toccatas |
|
|
v. 2. Capricci, canzoni, and other contrapuntal compositions |
|
|
v. 3. Hinni, partite, corrente, and appendix |
|
|
| 23.
|
楽譜
|
Giovanni Picchi ; edited by J. Evan Kreider
目次情報:
|
Intavolatura di balli d'arpicordo : Venice, 1621 |
|
|
Torino, Biblioteca nazionale, Organ tablature (Foà 7) |
|
|
Cambridge, Fitzwilliam Museum, Fitzwilliam virginal book. Toccata |
|
|
Intavolatura di balli d'arpicordo : Venice, 1621 |
|
|
Torino, Biblioteca nazionale, Organ tablature (Foà 7) |
|
|
Cambridge, Fitzwilliam Museum, Fitzwilliam virginal book. Toccata |
|
|
| 24.
|
楽譜
|
Girolamo Frescobaldi ; a cura di Etienne Darbellay
|
| 25.
|
楽譜
|
Girolamo Frescobaldi ; a cura di Etienne Darbella
|
| 26.
|
楽譜
|
D. Gregorio Strozzi
|
| 27.
|
楽譜
|
Bernardo Storace
|
| 28.
|
楽譜
|
Alessandro Scarlatti
|
| 29.
|
楽譜
|
edited by H. Colin Slim
目次情報:
|
Vol. 1. Dances and dance songs |
|
|
Vol. 2. Masses, magnificat, liturgical works, dances and madrigals |
|
|
Vol. 1. Dances and dance songs |
|
|
Vol. 2. Masses, magnificat, liturgical works, dances and madrigals |
|
|
| 30.
|
楽譜
|
edited by Denis Stevens
目次情報:
続きを見る
|
O ye happy dames |
|
|
[The Maiden's song] |
|
|
[Galliard] |
|
|
Gloria tibi trinitas |
Carleton |
|
[Audi benigne conditor] |
Carleton |
|
[Ex more docti mistico] |
[Redford?] |
|
[Exultet celum laudibus] |
[Redford?] |
|
[Miserere mihi domine] |
[Redford] |
|
[Miserere mihi domine] |
[Redford?] |
|
Natus est nobis |
Tallis |
|
Fancy |
Newman |
|
Whose faithful service |
|
|
La brunette (?) |
|
|
La demoiselle (?) |
|
|
La chemise (?) |
|
|
Voluntary |
Allwood |
|
Claro paschali gaudio |
Allwood |
|
Felix namque |
Farrant |
|
Voluntary |
Farrant |
|
Christe qui lux [es et dies] |
Blitheman |
|
In nomine |
Allwood |
|
Quia fecit [mihi magna] |
shepherd |
|
Fond youth is a bubble |
Tallis |
|
Eterne rex altissime |
Redford |
|
O lux [beata trinitas] |
Redford |
|
Exultet celum laudibus |
Redford |
|
Christe qui lux [es et dies] |
Redford |
|
[Felix namque] |
Blitheman |
|
Point |
Shepherd |
|
Felix namque |
Shelbye |
|
In nomine |
Taverner |
|
Salvator [mundi domine] |
Redford |
|
Lucem tuam |
Redford |
|
[Te lucis ante terminum] |
Redford |
|
Miserere [mihi domine] |
Shelbye |
|
Remenber not, O lord |
Tallis |
|
I give you a new commandment |
[Shepherd] |
|
In nomine |
Johnson |
|
Sermonde blando angelus |
[Redford?] |
|
Veni redemptor [gentium] |
Redford |
|
Iste confessor |
Redford |
|
Eterne rerum conditor |
Blitheman |
|
Eterne rerum [conditor] |
Blitheman |
|
Miserere [mihi domine] |
Redford |
|
Glorificamus [te dei genitrix] |
Redford |
|
Versus |
Shepherd |
|
Tibi omnes |
Redford |
|
Te per orbem terrarum |
Redford |
|
Tu ad liberandum |
[Redford] |
|
Salvum fac |
[Redford] |
|
Point |
[Redford?] |
|
Verbum supernum [prodiens] |
Redford |
|
Meane |
Redford |
|
My friends |
|
|
Like as the cained wight |
|
|
Aurora lucis |
Redford |
|
Eterme rerum conditor |
Redford |
|
I am lucis orto sidere |
Redford |
|
Rejoice in the lord always |
|
|
Te Deum |
Blitheman |
|
Of wise heads |
|
|
O the silly man |
Edwards |
|
Defiled is my name |
Johnson |
|
In going to my naked bad |
[Edwards] |
|
The man is blest |
[Shepherd] |
|
O ye tender babes |
Tallis |
|
Benedicam domino |
Johnson |
|
When shall my sorrowful sighing |
Tallis |
|
I am lucis orto sidere |
Tallis |
|
In nomine |
[White] |
|
I smile to see how you devise |
|
|
The wretched wandering Prince- |
|
|
When cressid went from troy |
|
|
Gloria tibi trinitas |
Blitheman |
|
Veni redemptor [gentium] |
Tallis |
|
Ex more docti mistico |
Tallis |
|
[Clarifica me pater] |
Tallis |
|
Ecce tempus [idoneum] |
Tallis |
|
Point |
Tallis |
|
Ecce tempus idoneum |
[Tallis] |
|
Iste confessor |
Tallis |
|
Christe qui lux es et dies |
Heath |
|
Christe redemptor omnium |
[Blitheman?] |
|
O lord turn not away |
|
|
Since thou art false to me |
|
|
O happy dames |
[Shepherd] |
|
[When that the fifty day] |
[Tye] |
|
When griping griefs |
[Edwards?] |
|
The bitter sweet |
|
|
Like as the doleful dove |
Tallis |
|
Pavan |
Newman |
|
I lift my heart |
Tye |
|
As I deserve |
|
|
Per haec nos |
Tallis |
|
Tres partes in una |
Munday |
|
O ye happy dames |
|
|
[The Maiden's song] |
|
|
[Galliard] |
|
|
| 31.
|
楽譜
|
William Byrd ; transcribed and edited by Alan Brown
目次情報:
続きを見る
|
[v.] 1. Pieces with "G" final (minor). Prelude |
|
|
Passamezzo pavan |
|
|
Passamezzo galliard |
|
|
Pavan: Sir William Petre |
|
|
Galliard |
|
|
Pavan |
|
|
Pavan: Delight |
|
|
Fortune |
|
|
Rowland or Lord Willoughby's Welcome Home |
|
|
Walsingham |
|
|
Ground |
|
|
The queen's alman |
|
|
Alman |
|
|
Pieces with "A" final (minor). Prelude |
|
|
Fantasia |
|
|
Pavan: The earl of Salisbury |
|
|
Second galliard |
|
|
The galliard jig |
|
|
Qui passe: for my lady Nevell |
|
|
Hugh Ashton's ground or tregian's ground |
|
|
The first french coranto |
|
|
The second french coranto |
|
|
The third french coranto |
|
|
Jig |
|
|
Pieces with "B" flat final (major). Pavan |
|
|
Pieces with "C" final (major & minor). Prelude |
|
|
Verse |
|
|
Pavan: Kinborough good |
|
|
Galliard: mistress Mary Brownlow |
|
|
Callino casturame |
|
|
The carman's whistle |
|
|
Wilson's wild |
|
|
The bells |
|
|
Hornpipe |
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The Hunt's up (I) |
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The Hunt's up (II) |
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Monsieur'alman |
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Coranto |
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[v.] 2. Pieces with "D" final (minor). Fantasia |
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Clarifica me, pater (I) |
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Clarifica me, pater (II) |
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Clarifica me, pater (III) |
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Gloria tibi trinitas |
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In nomine |
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Lachrymae pavan |
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All in a garden green |
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My lady Nevell's ground |
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Pieces with "F" final (major). Ut re mi fa sol la |
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Pavan: bray |
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Pavan: Ph. tregian |
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Pieces with "G" final (major). Voluntary: for my lady Nevell |
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Ut re mi fa sol la |
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Ut mi re |
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Miserere (I) |
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Miserere (II) |
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Salvator Mundi (I) |
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Salvator Mundi (II) |
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Quadran pavan |
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Quadran galliard |
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Pavan: Canon 2 in 1 |
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Lady Monteagle's pavan |
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The ghost |
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Go from my window |
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Gypsies' round |
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John come kiss me now |
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The maiden's song |
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O mistress mine |
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Sellinger's round |
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The woods so wild |
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Monsieur's alman (I) |
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Monsieur's alman (II) |
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Lavolta: lady Morley |
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Lavolta |
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The barley-break |
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The march before the battle: or, The earl of Oxford's march |
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The battle |
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The galliard for the victory |
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[v.] 1. Pieces with "G" final (minor). Prelude |
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Passamezzo pavan |
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Passamezzo galliard |
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| 32.
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楽譜
|
[Jan Pieterszoon Sweelinck] ; herausgegeben von Pieter Dirksen
目次情報:
続きを見る
|
In Liniennotation überlieferte Werke = Works preserved in staff notation. Fantasia à 4 (C2), SwWV 254 |
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Fantasia Ut sol fa mi (C4), SwWV 256 |
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Fantasia Crommatica à 4 (d1), SwWV 258 |
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Fantasia à 4 (d2), SwWV 259 |
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Fantasia à 4: Echo (d3), SwWV 260 |
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Fantasia [à 4: Echo] (d4), SwWV 261 |
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Fantasia Ut re mi fa sol la à 4 (F1), SwWV 263 |
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Fantasia à 4 (G1), SwWV 266 |
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Fantasia [à 2, 3 et 4 vocem] (G2) SwWV267 |
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Fantasia re re re sol ut mi fa sol [à 2, 3 et 4 vocem] (G4), SwWV 269 |
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Fantasia [contraria à 4] (g1), SwWV 270 |
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Fantazia [à 2] (g3), SwWV 272 |
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Fantasia à 4 (a1), SwWV 273 |
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(Ausschließlich) in Tabulatur überlieferte Werke = Works preserved (solely) in tablature notation. Fantasia auf die Manier eines Echo (C1), SwWV 253 |
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Fantasia [auf die Manier eines Echo] (C3), SwWV 255 |
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Fantasia (C5), SwWV 257 |
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Fantasia (d5), SwWV 262 |
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Fantasia à 4 (F2), SwWV 264 |
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Fantasia mit Bindungen (F3), SwWV 265 |
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Fantasia [Fuga 7. toni] (G3), SwWV 268 |
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Fantasia [à 3] (g2), SwWV 271 |
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Fantasia à 2, 3: et 4 vocem (a2), SwWV 274 |
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Fantasia auf die Manier eines Echo (a3), SwWV275 |
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Ricercar del nono tono (a1), SwWV 280 |
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Anhang : Zweifelhafte Werke = Doubtful works. Praeludium pedaliter (Variante von Nr. 19), SwWV 265b |
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Capriccio (a1), SwWV 281 |
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Ricercar à 4 (d1), SwWV 277 |
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Ricercar (d2), SwWV 278 |
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Ricercar (d3), SwWV 279 |
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In Liniennotation überlieferte Werke = Works preserved in staff notation. Fantasia à 4 (C2), SwWV 254 |
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Fantasia Ut sol fa mi (C4), SwWV 256 |
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Fantasia Crommatica à 4 (d1), SwWV 258 |
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| 33.
|
楽譜
|
[Jan Pieterszoon Sweelinck] ; herausgegeben von Harald Vogel
目次情報:
続きを見る
|
In Liniennotation überlieferte Werke = Works preserved in staff notation. Toccata (C1), SwWV 282 |
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Toccata 2di toni (g2), SwWV 293 |
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Toccata 2di toni (g1), SwWV 292 |
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Toccata 2di toni (g3), SwWV 294 |
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Toccata primi toni (d2), SwWV 286 |
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Toccata 9. toni (a1), SwWV 296 |
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Toccata noni toni (a2), SwWV 297 |
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Praeludium toccata (a2, alternative fassung) |
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Toccata (G1), SwWV 288 |
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Toccata 5 toni (C3), SwWV 284 |
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Toccata (G3), SwWV 290 |
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(Ausschließlich) in Tabulatur überlieferte Werke = Works preserved (solely) in tablature notation. Toccata (C2), SwWV 283 |
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Toccata à 3 (G2), SwWV 289 |
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Toccata à 4 voc. (a3), SwWV 298 |
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Toccata (d1), SwWV 285 |
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Toccata (g4), SwWV 295 |
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Anonyma. Toccata primi toni (d3), SwWV 287 |
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Toccata (G4), SwWV 291 |
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Anhang. Praeambulum C. : (Kurzfassung der Toccata C1 aus der Göttinger Claviertabulatur) |
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Toccata (C1) : (mit originalen und rekonstruierten Fingersätzen) |
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Praeludium ex a : (aus der Helmstedter Tabulatur 1641) |
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Toccata auff 2 Clav: Manualiter : (mit originalen und rekonstruierten Fingersätzen) |
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Englische Mascarada : (mit originalen und rekonstruierten Fingersätzen) |
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In Liniennotation überlieferte Werke = Works preserved in staff notation. Toccata (C1), SwWV 282 |
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Toccata 2di toni (g2), SwWV 293 |
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Toccata 2di toni (g1), SwWV 292 |
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